Born: 1986
Hometown: Stavropol
Based in: Stavropol
Galina’s path to painting was long, but each step left its mark on her artistic style, defining and shaping it year after year. Born in Dushanbe she was surrounded by art at an early age: her father was interested in metal stamping, wood carving, sculpture and photography, constantly inviting home his friends — artisans and artists — to work together and discuss art. In the early 90s, Galina went with her parents to Russia, where her family settled in Stavropol after a series of moves. She was lucky to have a school and teachers who, very rare for that time, tried to give new skills and strongly supported the passion for art in their students, teaching them new art techniques. After graduating from the Institute with a degree in Advertising, Galina immediately plunged back into the creative world, starting with photography. In the late 2000s, she became a professional graphic designer and later started drawing commercial illustrations. Galina’s interest in calligraphy, with a special preference for the technique of writing with a broad pen and expressive calligraphy with a cola pen, developed confident firm strokes and the method of working with paint by rubbing, determining her future creativity.
"My paintings are abstract in nature and are created anew each time in the process of intuitively following the imagination, in most cases without any preliminary sketches. Those are multi-layered surfaces with a rich texture that exposes the underlying layers of paint, with rhythm, direction and a complex color pattern."
Describe your creative process.
When I start my work, I mentally return to a moment in the past, real or imaginary, when I experienced certain emotions. When I relive those within myself, I try to transfer them to the surface of the canvas. This feeling is akin to meditation, when emotional images splash out on the painting, as if without my conscious participation. A paint stroke is a reflection of a certain feeling.
Who are some artists that have influenced your work?
Claude Monet, Kuzma Petrov-Vodkin, expressive calligraphy
What is the most important tool when creating your work?
Plastic card
Where do you go for inspiration?
Botanical garden
Education
In the Studio: Postwar Abstract Painting, MoMA online course, Certificate
United States of America, 2020
Yuko Shimizu’s Ink Drawing Online Class
United States of America, 2015
Private Classical and Expressive Calligraphy lessons, Krasnodar
Russia, 2013
Private Photography and Composition lessons, Stavropol
Russia, 2010
Private Graphic Design lessons, Stavropol
Russia, 2008
North Caucasus Social Institute, Advertising, Stavropol
Russia, 2008
Children’s art school of the city of Stavropol
Russia, 2004
Private Drawing lessons, Stavropol
Russia, 2002
Exhibitions
The Beholder for Earthlings, Gallery “ZDES na Taganke”
2021
2020, MAS Gallery
2020
SINGLE BODY, Boomer Gallery
2020
How I spent Summer. 2020, MOLBERT Gallery
2020
Kryukrinoksy, Gallery “ZDES na Taganke”
2020
Education
In the Studio: Postwar Abstract Painting, MoMA online course, Certificate
United States of America, 2020
Yuko Shimizu’s Ink Drawing Online Class
United States of America, 2015
Private Classical and Expressive Calligraphy lessons, Krasnodar
Russia, 2013
Private Photography and Composition lessons, Stavropol
Russia, 2010
Private Graphic Design lessons, Stavropol
Russia, 2008
North Caucasus Social Institute, Advertising, Stavropol
Russia, 2008
Children’s art school of the city of Stavropol
Russia, 2004
Private Drawing lessons, Stavropol
Russia, 2002
Exhibitions
The Beholder for Earthlings, Gallery “ZDES na Taganke”
2021
2020, MAS Gallery
2020
SINGLE BODY, Boomer Gallery
2020
How I spent Summer. 2020, MOLBERT Gallery
2020
Kryukrinoksy, Gallery “ZDES na Taganke”
2020