Born: 1997
Hometown: Pescara
Based in: London
Sabrina Brouwers is an Italian/German artist based in London. Sabrina graduated from Falmouth University in 2019 with a Bachelors in Fine Art and soon after completed her Post-graduate Diploma in Graphic Design at the University of Art London, in Chelsea.
Sabrina’s nomadic upbringing and curiosity for design principles have been great motivators to her practice. By extension, her work sparks a conversation between the act of journeying through our man-made landscape and our response to the complexity of our natural surroundings. Sabrina’s response to these themes results in colourless and non objective compositions where she uses elementary architectural forms to explore the psychological effects of simplicity.
Sabrina’s body of work is characterised by it’s non-objective and monochrome qualities. The abstract paintings are centralized around a mathematically plotted grid system in the base of each motif - representing the unnaturally ordered character of the urban landscape. Using the fluid shape of the circle Sabrina aims to challenge this order. The compositions are determined through a balance of intuition and strategy, by placing the circles inside the coordinate system. By challenging the rigid grid system through a complex layered process, a dialogue between emergence and disappearance is triggered, it is the barely visible grid format and recurring circle variable at the base of each composition which act as grounding elements to visual simplicity.
What inspires you?
Having a background in graphics design, and a nomadic upbringing, much of my inspiration comes from my surrounding environment and a deep curiosity for design principles. Through my practice, I explore our relationship with our urban landscape and our response to the complexity of our natural environment.
Describe your creative process.
The abstract paintings are centralized around a base grid system - followed by a complex layered process of construction and deconstruction, as aI sand back and scratch into the painting to reveal hints of the previous layers. Being non-objective, the compositions and determined through a balance of intuition and strategy, informed by graphic design principles.
What is the most important tool when creating your work?
A trammel set and a ruler
Education
University of Art London, Chelsea
United Kingdom, 2020
Falmouth University
United Kingdom, 2019
Exhibitions
Royal Academy of Arts Summer Exhibition 2022
2022
The Crossover Project at The Royal Exchange
2022
'Between Places', Penwith Gallery
2022
Education
University of Art London, Chelsea
United Kingdom, 2020
Falmouth University
United Kingdom, 2019
Exhibitions
Royal Academy of Arts Summer Exhibition 2022
2022
The Crossover Project at The Royal Exchange
2022
'Between Places', Penwith Gallery
2022