View To Scale
View In Room
View To Scale
View In Room
Acrylic on canvas
Dimensions: 73.7cm (H) x 106.7cm (W) x 2.5cm (D) / 29" (H) x 42" (W) x 1" (D)
Note: Actual colours may vary due to photography & computer settings.
Sharp enough to cut through silk that’s been dropped over it, and can shatter blade and bone alike. Designed to slice in one motion from the moment it exits its sheath. The curve streamlines the blade’s edge, so the wielder can draw and strike swiftly, almost simultaneously, because of which the katana is lightning-quick. Scarcely is the blade drawn when the opponent must block the strike or be struck down.
The artist made this with his own distinct hamon, or blade pattern, using his signature geometric style and brushstroke. Required a lot of precision and focus. Blade length is 31 inches (78.74cm), or in traditional Japanese measurements, 2 shaku 5 sun 9 bu.
Palette is brilliant yellow green, lemon yellow, white, olive green, sap green, payne’s grey, and their combinations.
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Based in: Hyderabad
After first drawn to painting after being inspired by Cubism's proposal of perceiving the physical, I create works that play on human vision and perception. I am keenly interested in the intersection of abstraction and representation, subconscious and conscious, art and technology.
I am very much inspired by David Hockney, Picasso, Bacon, SH Raza, among others. Any number of subjects from my rather broad and arcane interests as well as my own contemplations and observations of the current zeitgeist inspire my work. I intend to continue making geometrics although I have painted large, life-size animals and humans in my style, as well as landscapes, a series of mountains which I will continue to expand, as well as pure conceptual abstractions designed to allow the mind to relax and wander, and induce mindfulness.
My artworks are creations made by hand, thoroughly researched, precisely mapped and measured before painting with hundreds of layers in a technique I've developed over 4 years of painting: clean, crisp lines separating blocks of colour, with visible brushstroke texture. I always start from scratch, on a blank piece of paper. Most of the time there is a concept or subject behind a painting that had particular significance or had inspired me based around which an artwork is created. Other times the specific materials dictate the piece into a composition that complements it. I often use hardware brushes for their granular texture to compliment my speedy brush strokes.
I am very much curious of new and emergent technologies and how they continue to drive progress and further innovation, pushing our collective knowledge forward, and how they affect the sensibilities of form, design, and art. The end result of the work is an object that remains decidedly analog and handcrafted in the face of increasing automation, yet developed aided by modern technology.
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