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Alessio Mazzarulli

Why am I so changed? (n.565) - the Classic series

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Alessio Mazzarulli

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Why am I so changed? (n.565) - the Classic series by Alessio Mazzarulli
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Why am I so changed? (n.565) - the Classic series

by

Alessio Mazzarulli

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$ 50

Or 3 payments of US$16.67 via instalments at 0% interest!IconInformation

Overview

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2021

Acrylic paint on shredded paper on canvas

Unique Work

Dimensions: 84cm (H) x 95cm (W) x 2.5cm (D) / 33.1" (H) x 37.4" (W) x 1" (D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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Artwork n.565

This artwork is another work of "the Classic series" made inspired by masterpieces of Art History.
In particular, this artwork is inspired by "Woman with sunglasses" (1821) Portrait of an aristocratic girl with her sunglasses - Gionni Tendaggi (1774-1874).

This unique artwork is an acrylic painting on shredded paper on canvas.
This is sold unframed, ready to hang with a hook on the back.
Please note: the frame in the picture is only a simulation; the artwork is sold unframed.

The surface has small reliefs and I love to caress it, feeling it.
I also use acrylic resin on the surface that gives a glossy effect and protect colors against sunshine and dust.

Signed and dated in back.
Signed in front, if you want.

Each piece is securely packaged, wrapped and protected for shipping and will arrives in a wooden crate completely safe included the Certificate of Authenticity.
I use DHL courier: European shipping arrives in 24/48 hours; International shipping arrives in 48/72 hours.
A delivery tracking number is provided.

Different light sources can give different colours on the photos.

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Artist Profile

Born: 1974

Hometown: Pescara

Based in: Pescara

I was born in 1974 and I live and work in Pescara, Italy.

My first experience with art was at school, thanks to the art education professor I took a brush for the first time.
After this scholastic approach I was able to get closer to the comic by collaborating with a local magazine I made the satirical cartoons (which I have never abandoned so much that still today it happens to publish some satirical cartoon).
Thanks to comics, I was able to meet a teacher who, in addition to teaching me the techniques of drawing, directed me towards sculpture starting with the processing of a block of homemade soap by my grandmother. Then I discovered the clay and the whole world that revolves around it.
The first years of 2000 were years of very intense production having also created an artisan oven for baking clay.
Since December 2014, after a long period of "standstill", I have resumed with the "two dimensions" leaving out the sculpture and dedicating myself to the creation of acrylic paintings, producing over 500 works in 5 years.

I love to paint abstract landscapes but in the last few years, I was been fascinated with portraits - whether an abstract subject or a real one.
Painting is locking in the exact moment, so mine paintings are often a faded memory or something erased from time. Sometimes the objects of mine paintings are glimpses of walls that are eroded by time, with moss and mushrooms that grow over time.
The time that passes inexorably is the main theme of my work.
Because of mine background with sculptures, I'm familiar with the third dimension and the sense of touch. I applie these to mine paintings, which are characterized by touches that are well-perceived to the naked eye.


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