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Alex Hodge

Who washes the feet of Mary Magdalene?

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Alex Hodge

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Who washes the feet of Mary Magdalene? by Alex Hodge
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Who washes the feet of Mary Magdalene?

by

Alex Hodge

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US$ 1,700

Or 3 payments of US$566.67 with , 0% interest. You will always be charged in USD, unless paying with Atome.IconInformation

Overview

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2019

Porcelain and gold

Unique Work

Dimensions: 41.9cm (H) x 14cm (W) x 14cm (D) / 16.5" (H) x 5.5" (W) x 5.5" (D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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Who washes the feet of Mary Magdalene?
2019
Porcelain and gold
Measures: 16.5 in x 5.5 in
One of a kind
This piece is a part of the Historic Jar collection and recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hodge centers her as the subject and asks “who takes care of her?”. She answers with the scene of another woman washing her feet, which speaks to the ways that women’s care for one another is often unseen.

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Artist Profile

Hometown: Georgia

Based in: Miami, Florida

Alex Hodge was always drawn to the arts and regularly channeled her creativity as a child whether in watercolor classes or scrapbooking with her mother. She attended the University of Georgia and received her BFA in Ceramics in order to learn the ways of coaxing clay. While at UGA, Hodge had her first solo exhibition, Unsung Muses, in addition to her BFA show, Eyes That Bind. She graduated summa cum laude along with other honors, such as the Outstanding Undergraduate Award and Mary Rosenblatt Scholarship. After graduation, she spent the summer as the Ceramics Instructor for URJ Camp Coleman, where she realized her potential as a teacher. She then pursued her MFA at the University of Miami, where she has received the MFA Summer Fellowship as well as the William Oberman Award. She will graduate summa cum laude after the conclusion of her thesis exhibition In Light of Her. She continues to pursue teaching as the Camp Manager and Instructor for Clay Camp at the Ceramic League of Miami and as an adjunct faculty at the University of Miami. Though she naturally finds a place in teaching, it is her studio work that is the driving force of her existence.


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