Oil on canvas
Dimensions: 150cm (H) x 130cm (W) x 3cm (D) / 59.1" (H) x 51.2" (W) x 1.2" (D)
Note: Actual colours may vary due to photography & computer settings.
A Buddhist saying: “We each have spikes, coming out of us and going outwards. Some people have very long spikes – you cannot get close to them because they get irritated very quickly. Most people only have medium spikes. You can get close, but not very. Only a few people are so peaceful, so at ease, that they have NO spikes at all.”
How long are your spikes? How easy going do you find yourself to be? Did you ask the people around you if they think the same? Do you find yourself alone sometimes, wondering if there’s something wrong with you? Did you DO something or SAY something that upset other people? Are you easily upset? All these poignant questions were at the heart of the internal discourse that the artist decided to elaborate upon by working on this splendid canvas. Front and center of this piece is a bush with spikey leaves, the plants that one can usually find on empty beaches in wildlife reserves.
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Orange Art Collection
45 Artists, 54 Products
Last Updated Apr 25, 2022
Based in: Roubaix, France
Dominic-Petru Virtosu was born in Bucharest, Romania in 1983. He completed his formal artistic education with a License in painting (2006) class of renowned Romanian artist Florin Ciubotaru and a Master’s in 2013 with professor Catalin Balescu at the Bucharest National University of Arts; also attending a semester as an Erasmus exchange student at the prestigious Hochschule fur Grafik und Buchkunst in Leipzig where he was guided by the style and color of his professor, Annette Schroter.
The artists’ German High-school education proved to be a founding element for his work-ethic and discipline – this led to him continuously developing his artistic practice even through 10 years of employment within the tourism and audio-visual industry of Romania. Works created between 2009-2013, while the artist was employed at the biggest private television conglomerate of Romania, are a strong testimony of this effort: to question his environment and society’s consumerist tendencies in a broader sense. An array of flamboyant characters and surreal situations present themselves with the most relevant element being the depth of space. The complex compositions of this period are developed using image manipulation software and then painted with meticulous care on the surface of the canvas.
After 2013, his focus shifted towards integrating the paradox of image representation vs. pure painting – an essential pathway for Virtosu’s development. His style merged the two directions into an organic vivid mix in which color and subject matter are unified and produce an exceptionally powerful image. Each work thus becomes its own unique path and requires its own technical solutions – both plein-air and works of fantasy became unified in style.
Virtosu’s artistic practice includes regular exhibition activity (both as solo-shows and in group events) in Romania and abroad. “Cats of War” (2004) – where installation and drawing were presented at the UnaGallery in Bucharest; “Painting” (2006) at the Art Jazz Club of Bucharest; “World Wide View”(2009) at the Opera Gallery in Budapest; “…after Cremaster” (2010) at the Center for Visual Arts in Bucharest; “Police the Police” (2010) at the Biennal of Young Artists in Bucharest; “Constantly out of Space” (2012) exhibition in Leipzig, Germany; “In search” (2013) at the National Library of Bucharest; “Here and Now” (2015) at the Academy of Economic Studies of Bucharest, “Convergent” at the Vasile Grigore Museum of Bucharest and Art Safari Art Fair Bucharest; “PainTing” (2016) at the Polytechnic University of Bucharest; “Do you have a Motive?” (2018) at the Art Frontieres Gallery in Lille, France.
Dominic-Petru Virtosu’s French heritage also played a part in creating a strong connection to the cultural and artistic environment of Paris at a young age. His travels to the capital of France for extended periods of time where the most relevant and prestigious museums and exhibitions of the time were readily accessible prompted the artists’ curiosity and stimulated his artistic eye at a young age. His French legacy and fluency in the French language also helped the artist secure a scholarship at the Ecole des Beaux-Arts de Tourcoing in France where he studied art-teaching in 2017-2018; thereafter being employed as a painting professor at this same university to this present day.
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