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Elena Romanovskaya

Portrait with a cat and a bird-1

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Elena Romanovskaya

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Portrait with a cat and a bird-1 by Elena Romanovskaya
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Portrait with a cat and a bird-1

by

Elena Romanovskaya

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$ 1,000

Or 3 payments of US$333.33 via instalments at 0% interest!IconInformation

Overview

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2021

Acrylic on canvas

Unique Work

Dimensions: 85cm (H) x 50cm (W) x 5cm (D) / 33.5" (H) x 19.7" (W) x 2" (D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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Life is made up of little things, behind the big things there are always little things. A man often makes global plans for his future, which are not insured and can collapse overnight, and then the small, quiet moments that he created out of love, without pursuing gain, can be a support for him.

Lena has become something of a bridge of friendship and love between two naturally warring predators and herbivores. With this act, she did not solve global problems, but it warms the soul that the artist was able to create love in a small triangle: human+cat+parrot.

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Artist Profile

Born: 1989

Hometown: Nalchik

Based in: Nalchik

I was born in the Caucasus, in the small town of Nalchik, this is the South of Russia.
I have been painting since 2008. I have a lot of experience in exhibitions. My favorite material is acrylic.

As an artist, I am interested in the space of play that arises between my art and the viewer. There are no winners or losers in this game, but there is excitement in it and going “beyond” — to where I create my worlds and invite you on a journey through them. This game is not so much entertaining as it immerses you in the moments of life.
My “tools” are genre intensity and inflamed color, which I “pick up” from the expressionists.
I was born and raised in Nalchik, the symbiosis of Russianness and the Caucasus influenced my artistic development. Therefore, through my work, I acquaint the viewer with the plots
from the life of different nations and try to synthesize different cultural contexts.
There is always some kind of “funny” in my works, they contain the mechanism of estrangement — a shift in perception, when the works are built as a kind of attraction. After all, if the “systems” in which we are all “soldered” work well, everything that happens in them is predictable and there is no place for a new place. New meaning can only arise from what is meaningless! Hence, the key role in my work is given to non-systemic: absurdity, breakdowns, accidents: the better different “systems” work, the more irreplaceable sources of new meanings become gaps, failures, intervals, inconsistencies.


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