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Elena Romanovskaya

Series 'Two-faced' In the garden of legend

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Elena Romanovskaya

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Series 'Two-faced' In the garden of legend by Elena Romanovskaya
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Series 'Two-faced' In the garden of legend

by

Elena Romanovskaya

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$ 1,000

Overview

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2021

Acrylic on canvas

Unique Work

Dimensions: 85cm (H) x 57cm (W) x 2cm (D) / 33.5" (H) x 22.4" (W) x 0.8" (D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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Recently, Elena has been playing an amusement game with observations of logs in the eyes of other people. How, at the slightest turn of the head, a person drifts so much that he knocks everything around with this very log. In this game, the main thing is to see your own log house, this is irony and entertainment. The “Two-faced” series is about humanity as a whole, we are dual, we have both good and bad, courage and cowardice ...
But most people do not even assume about their second parties, but their twin brother, whom they carefully put to sleep, so that he does not come out to the center of the circle and take the reins. As mentioned above, everyone has a log, but not everyone has the power to see and recognize it.

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Artist Profile

Born: 1989

Hometown: Nalchik

Based in: Nalchik

I was born in the Caucasus, in the small town of Nalchik, this is the South of Russia.
I have been painting since 2008. I have a lot of experience in exhibitions. My favorite material is acrylic.

As an artist, I am interested in the space of play that arises between my art and the viewer. There are no winners or losers in this game, but there is excitement in it and going “beyond” — to where I create my worlds and invite you on a journey through them. This game is not so much entertaining as it immerses you in the moments of life.
My “tools” are genre intensity and inflamed color, which I “pick up” from the expressionists.
I was born and raised in Nalchik, the symbiosis of Russianness and the Caucasus influenced my artistic development. Therefore, through my work, I acquaint the viewer with the plots
from the life of different nations and try to synthesize different cultural contexts.
There is always some kind of “funny” in my works, they contain the mechanism of estrangement — a shift in perception, when the works are built as a kind of attraction. After all, if the “systems” in which we are all “soldered” work well, everything that happens in them is predictable and there is no place for a new place. New meaning can only arise from what is meaningless! Hence, the key role in my work is given to non-systemic: absurdity, breakdowns, accidents: the better different “systems” work, the more irreplaceable sources of new meanings become gaps, failures, intervals, inconsistencies.


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