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Elena Romanovskaya

Series 'Two-faced' The four elements of retribution

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Elena Romanovskaya

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Series 'Two-faced' The four elements of retribution by Elena Romanovskaya
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Series 'Two-faced' The four elements of retribution

by

Elena Romanovskaya

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$ 1,000

Or 3 payments of US$333.33 via instalments at 0% interest!IconInformation

Overview

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2021

Acrylic on canvas

Unique Work

Dimensions: 85cm (H) x 57cm (W) x 2cm (D) / 33.5" (H) x 22.4" (W) x 0.8" (D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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Lately, Elena has been running a game-attraction with observing logs in other people's eyes. How at the slightest turn of the head a person gets so carried away that he knocks down everything around him with this very log.

In this playfulness the main thing is to see your own logjam, therein lies the irony and amusement.

The Two-Faced series is about humanity as a whole, we are dual, we have both good and bad in us, courage and cowardice...
But most people don't even think about their other sides, they think about their twin brother, whom they carefully put to sleep so that he doesn't step into the centre of the circle and take over the reins. As was said above, everyone has a log, but not everyone has the power to see it and acknowledge it.

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Artist Profile

Born: 1989

Hometown: Nalchik

Based in: Nalchik

I was born in the Caucasus, in the small town of Nalchik, this is the South of Russia.
I have been painting since 2008. I have a lot of experience in exhibitions. My favorite material is acrylic.

As an artist, I am interested in the space of play that arises between my art and the viewer. There are no winners or losers in this game, but there is excitement in it and going “beyond” — to where I create my worlds and invite you on a journey through them. This game is not so much entertaining as it immerses you in the moments of life.
My “tools” are genre intensity and inflamed color, which I “pick up” from the expressionists.
I was born and raised in Nalchik, the symbiosis of Russianness and the Caucasus influenced my artistic development. Therefore, through my work, I acquaint the viewer with the plots
from the life of different nations and try to synthesize different cultural contexts.
There is always some kind of “funny” in my works, they contain the mechanism of estrangement — a shift in perception, when the works are built as a kind of attraction. After all, if the “systems” in which we are all “soldered” work well, everything that happens in them is predictable and there is no place for a new place. New meaning can only arise from what is meaningless! Hence, the key role in my work is given to non-systemic: absurdity, breakdowns, accidents: the better different “systems” work, the more irreplaceable sources of new meanings become gaps, failures, intervals, inconsistencies.


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