Giclee print on torchon paper 300g, watercolor
Edition of 10
Dimensions: 50cm (H) x 35cm (W) x 0.1cm (D) / 19.7" (H) x 13.8" (W) x 0.04" (D)
Note: Actual colours may vary due to photography & computer settings.
Generative art, mixed media: program code, giclee, watercolor, torchon paper 300g, without acids and optical brighteners, sheet size 35*50cm.
The graphics are generated by program code and printed on modern Epson equipment, using water-based pigment ink, which is characterized by increased resistance to fading. The circulation is determined by the software algorithm and the size of the implementation. Since there is an element of randomization in the code, individual instances may differ within the circulation. Also, instances of the edition are distinguished by a painting component.
Based in: Moscow
I am researching a woman’s self-awareness, formed through the prism of stereotypes and prejudices that were developed in society. I compare behavior deviation from expected patterns to a glitch effect. Glitch art opposes the digital culture promoting an ideal transmission of the image. The glitch is an inconsistency in the information expected. Social glitch is self-expression through violation of programmed standing orders.
I express the glitch effect through the Central Asian ikat ornament. An ornament is a visual projection of a society. And for me personally it is endowed with special meanings because I grew up in Tashkent, and oriental ornament is part of my aesthetics.
2018 - The State Academic Art Institute named after V.I.Surikov,
Faculty of Painting, Moscow, Russia
2008 - The State University of Management, MBA IT (Master of Business
Administration in Information Technology), Moscow, Russia
2001 - The State University,
Faculty of Applied Mathematics and Mechanics, department Economic Cybernetics, Voronezh, Russia
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