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Fuen Chin

Golden Hour II

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Fuen Chin

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Golden Hour II by Fuen Chin
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Golden Hour II

by

Fuen Chin

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US$ 540

Or 3 payments of US$180.00 with , 0% interest. You will always be charged in USD, unless paying with Atome.IconInformation

Overview

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2019

Chinese ink, acrylic on sugar paper

Edition of 2

Dimensions: 78.8cm (H) x 54.1cm (W) / 31" (H) x 21.3" (W)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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In this figurative painting, the artist depicted the golden hour of spring, full of blossoms, fertilities, refreshing and energetic. She twiddled the paintbrush. That turns pull out a track of black, bronze and gold. The representational ecru colour on this sugar paper performs a fundamental, natural, crude and warm base to bring up the motionless, seasonless, tropical flowers scene to continue flourishing in domestic contexts.

This painting is signed on the front and includes my Certificate of Authenticity.

The sugar paper is 59cm x 84cm and the painting is 54.1cm x 78.8 cm.

Art © 2019-2022 Fuen Chin. All Rights Reserved.

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Artist Profile

Born: 1979

Hometown: Sungai Petani, Kedah.

Based in: Sungai Petani, Kedah

Fuen Chin is an artist who grew up in Kedah state, Malaysia. Her art takes inspiration from horticulture which is a nostalgic reflection of her childhood. Both her late grandparents were Chinese from Southern China with backgrounds in Chinese herbs and medicine, running a small herbal shop. It was there where Fuen learnt the importance of Chinese herbs and the stories around them.

It is these stories and her visions about plants that provides an endless inspiration for the calligraphic floral paintings. Starting out as a self-taught artist, Chin eventually studied a Fine Art research degree at the Royal College of Art.

She has worked on an art installations, citing the following response from the panel of judges: ‘We very much enjoyed your proposal and presentation and thought there were a lot of interesting possibilities that may emerge from your works.’ She continues to work and develop her calligraphic paintings using Chinese ink within a more contemporary context.


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