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Fuen Chin

Lamella II

by

Fuen Chin

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Lamella II by Fuen Chin
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Lamella II

by

Fuen Chin

US$ 1,610

Overview

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2020

Chinese ink, acrylic on canvas

Unique Work

Dimensions: 80cm(H) x 80cm(W) x 2cm(D) / 31.5"(H) x 31.5"(W) x 0.8"(D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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I continued exploring the imaginary blooms according to the narratives from my beloved late grandmother. She loved flowers, especially loved admiring blossoms in the morning. However, her vision started to decrease drastically in her early 80s. The ever-changing scenes in the blossoming garden became blurry to her. For a period, she almost lost seeing all blooms in vivid colours. Through other sensory organs, such as nose, ears, skin and palms, she experienced anew vibes around her from molecular level. The narrative suggested a series of fragmented, distorted, molecular images derived from visual deficiencies. I made this painting to depict the images in deficit. It is the epitome of the complex visual conditions of my late grandmother’s eyes. I wish to channel the deficient images to aesthetical direction and to encourage a respect, a bravery and a confession of the imperfect conditions of human eyes, such as aging, obscurity and impermanence are innovatory artistic direction.

The painting will be shipped from London. It had been at Vintners Place, London for public viewing in 2019.

This painting is signed on the front or back and includes my Certificate of Authenticity.

Art © 2019-2022 Fuen Chin. All Rights Reserved.

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Artist Profile

Born: 1979

Hometown: Sungai Petani, Kedah.

Based in: Sungai Petani, Kedah

Fuen Chin was born in a small town in Malaysia. She is a self-taught artist who eventually pursued a fine art research degree at the Royal College of Art in her late 30s. When Fuen presented her calligraphic painting on the wall to the panel of judges at Royal College of Art, ‘the panel very much enjoyed your proposal and presentation and thought there were a lot of interesting possibilities that may emerge from your works,’ this has encouraged Fuen to continue exploring the ideas, concepts and ‘drama’ embedded in Chinese calligraphy.

The motifs of Fuen's calligraphic paintings change from time to time. She introduces painting as a way to communicate, to disseminate ideas and to invite imaginations. The art of her paintings derived from Chinese calligraphy. She proposes that the uniqueness of the calligraphy is the multidisciplinary applications: writing, drawing, painting, marking, singing, dancing and playing.

Apart from subject and method of a painting, ownership is another important reality of an artwork. It involves the inheritance of narratives, messages, intellectual properties to be sustained or continue to develop in the future. Public showcase of the five calligraphic floral paintings at Vintners Place, London was the important milestones for Fuen. It was the first project of corporate art and it was an honor to work with the place and the curator – ARTful, London. Fuen feel thankful for the messages in the paintings: channel the deficient images to aesthetical direction and to encourage a respect, a bravery and a confession of the imperfect conditions of human eyes, such as aging, obscurity and impermanence are innovatory artistic direction, being accepted and visually published in the 1980s classical-style office building in the City of London

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More Works by Fuen Chin

Chrysanthemum VIII

Fuen Chin, Malaysia

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Golden Debussy

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Debussy III

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Hypermorph Garden

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Isolation II

Fuen Chin, Malaysia

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Isolation I

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Four Chrysanthemums

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US$ 718

Chrysanthemum

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US$ 470

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