C-flex-poly-based paper high-gloss photographic paper or 100% cotton rag baryta pigment based paper.
Edition of 5
Dimensions: 102cm (H) x 102cm (W) x 0.1cm (D) / 40.2" (H) x 40.2" (W) x 0.04" (D)
Note: Actual colours may vary due to photography & computer settings.
Size 102x102 cm is printed on Fujiflex Crystal Archive silver halide photographic paper using a Lambda machine and shipped from NY.
Size 102x102 cm is printed on 100% cotton Baryta paper using a Canon 12 inks printer machine and shipped from Chile.
This is an image of Acero Marka mystical waters.
This time I returned to the valley of Acero Marka to camp with a group of friends. My wife was eight months pregnant; had to carry a foam mattress to the camping site through the trail. She and the coming baby had to have a better sleep. Can you imagine what is like to carry the mattress through a small path getting tangled with the vegetation. It rained for three entire days that we camped.
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Hometown: La Paz
Based in: Calera de Tango - Chile
Photographer dedicated to portraye Water.
It was late 1955 when my eyes peeped at the city of La Paz near the high Andes. Since then, they have learned by capturing sparkles of light.
The influence of Ansel Adams perfection and the impressionism colors such as Vincent Van Gogh work has forged my technique to pursue the chase of Water and capture its beauty. While visiting more than 40 countries and living in 10 of them, have now settled at the small town of Calera de Tango in Chile.
My work is done using film in a medium format, as well as digital cameras. Capturing the beauty of water in all its forms; denouncing many times the little interest that our civilized world invests in its conservation and preservation. Printing mainly on large size fine art photographic paper, for Color as well as Black & White; lately using ink based printing and fine art digital paper.
Water, an important resource, source of life, and protagonist of my exhibitions around the world, that converge between the look of the paused movement, preserving it for future generations, as is the case of certain images that I took at a glacier that has disappeared during the last 20 years. Other images are non-repeatable due to nature effects.
Started oil painting and playing in darkroom at the age of 10, later taking pictures of what my eyes noticed. Took as much photography courses as I could, forging my technique and creating the Water portfolio. Still continue investigating, learning, and using new digital tools.
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