X

X is the first work in a new series, which involves taking an enlarged skeleton structure—evocative of fossil fragments in the process of restoration—and visually materializing it using an imaginary theory. Abstract forms of bone fragments made with papier-mâché are loosely connected to each other on a three-dimensional grid. X seems like a vast and distant landscape, or a familiar subject with a certain symmetrical structure pulled right in front of one’s eyes.