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Tft displays, ccd cameras, acrylic painting on plexiglass, teakwood frame
Dimensions: 51.3cm (H) x 51.3cm (W) x 5.5cm (D) / 20.2" (H) x 20.2" (W) x 2.2" (D)
Note: Actual colours may vary due to photography & computer settings.
As the Chengyu suggests, “a fur coat can be made of scraps” (集腋成裘). A man steering a sanlunche (tricycle) sees everything while constantly acclimatising to new surroundings. But don’t expect any deep and meaningful words from him. His wheels keep on turning. What about you? Would you rather see change approaching slowly in the distance or have a head-on collision with it in the moment? Maybe it doesn’t matter, we all read the signs differently. A simple fact of life is that change is inevitable and it continues to happen at a rapid rate in Shanghai. The city’s physical appearance is ever-evolving with an endless amount of buildings being erected to accommodate growth. But it’s not like that would impress William Shakespeare or anything. “No! Time, thou shalt not boast that I do change,” wrote the poet in 1609. “Thy pyramids built up with newer might. To me are nothing novel, nothing strange; They are but dressings of a former sight.” He’d have hated the Chinese character Chai (拆), meaning to demolish, then. When it gets painted on houses and tower blocks in the country today it means the buildings’ days are numbered. People have protested against these land seizures but for most, the generous payoff that comes with such an order far outweighs sentimental value. Old hats might say unsettling demolition jobs symbolise an erosion of cultural heritage and that new paths are being laid at the expense of the past. Suzhou creek riverbank has seen its fair share of change over the years. If the sanlunche could talk, it would tell a thousand stories. But take it with a pinch of salt, as it’s probably just a load of old rubbish.
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Based in: Shanghai
island6 六岛 (Liu Dao) is a Shanghai-based collective of tech-geeks and creative talents whose driving force is collaboration. Since its inception in 2006, this dynamic international group has produced multimedia art that muses on the relationship between the delicate qualities of traditional art and the technical complexities of the contemporary. Artists from diverse disciplines converge to contemplate the past, present, and future of China through their humorous and innovative new media work. Their unique collaborative philosophy explores the cultural potential of the convergence of art, technology, and science in their quest to promote cross-cultural dialogue. Liu Dao's ever expanding repertoire includes works in diverse mediums such as LED art, video art, interactive art, neon, photography, painting, sculpture, and dynamic laser art, among others.
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