Mixed media on wood
Dimensions: 170cm (H) x 50cm (W) x 3cm (D) / 66.9" (H) x 19.7" (W) x 1.2" (D)
Note: Actual colours may vary due to photography & computer settings.
Green dotted with early Autumn colours flank deep red with meanderings of gold in this paint tapestry. Inspired by a walk in the park in the chill of season change the work emulates a rippling scarf. Made purely from paint this is an exciting and highly original sculptural painting that will make a dramatic statement in any contemporary interior.
The work is secured on a painted wooden panel. The panel has a hidden framework that allows it to ‘float’ an inch (2.5cm) from the wall. D rings and wire have been fitted for immediate hanging.
On the front, you will find my initials. On the back are my signature, title, and year.
This painting is registered with the NRAA (National Registry for Australian Artists). Details of this registration are provided as well as a Certificate of Authenticity.
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Based in: Melbourne
Born in the UK, Julee settled in Australia in 2005 after spending the previous 17 years moving internationally many times. Her life has been a patchwork of cultures. This plays out in her desire to deconstruct her work.
Julee has been a full-time artist for many years achieving international recognition for her work in mosaic art and her authorship of the book Sculptural Secrets for Mosaic (Schiffer Publishing, USA). Julee has exhibited widely in Australia as well as New York and Italy. She has been selected as a Finalist for three Art Prizes in the last 12 months. Her artworks are held in private collections in Australia, the UK, the USA, Sweden, Austria, and Canada.
Julee holds a BFA (Sculpture and Painting) from Curtin University, Perth. She also has diplomas in Interior Design and Colour Therapeutics.
The desire to free paint and allow it independence is paramount in my art practice. My experiences of repeated international relocations feed into the way I approach my work. Breaking ties, rebuilding support systems as well as feelings of invisibility and instability are foremost considerations.
My artistic process is centered on the exclusive use of unsupported, dried paint, I create original paintings without a canvas or paper backing, only to deconstruct and remake them. Often drawing on textile, collage, and sculptural techniques, my core aim is to challenge expectations of what a painting is capable of being.
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