View In Room
View In Room
Oil, ink, graphite, pastel, acrylic, soft yarn, cotton, and fabric on paper
Dimensions: 70cm (H) x 50cm (W) x 0.1cm (D) / 27.6" (H) x 19.7" (W) x 0.04" (D)
Note: Actual colours may vary due to photography & computer settings.
Each painting that I create is a unique dance with a variety of materials, unique to each work. I often refer to traditional painting methods when priming the surface and preparing the paints. One of my preferred mediums is egg tempera, which I prepare myself from scratch in the same way that the Renaissance masters would have done. I always use oils and inks in my work. The quality of these mediums enables me to build up subtle and rich layers from which my poetic images appear. Each work is always a battle between exposing and suppressing different areas until the perfect balance of colour and form is achieved.
This series of work is inspired by the early Italian Renaissance paintings.
I always admire the beauty that these masterpieces evoke, you can never have enough, doesn’t matter how many times you saw them you will always feel amaze.
The idea is to bring modernity and bring a Renaissance atmosphere into a contemporary image.
We live in a world in constant change, never having a moment for ourselves, never find the time to have some peace and tranquility.
In this body of work I want it to give the observer some time to reflect, to take a big breath and simply enjoy the moment to see something beautiful.
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Based in: Barcelona
Karenina Fabrizzi is an Italian artist who lives and works in Barcelona, Spain. Born in Buenos Aires, Argentina where she later studied her Fine Art and Graphic Design Degree, she went on to study in several European countries including Germany, Spain and London. A keen traveller, her training later took her as far as New York, a favorite city of hers, where she spent a period as painting assistant to the American Pop artist Jeff Koons. Karenina’s work has been exhibited all over the world and is held in many private collections internationally.
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