Acrylic polymer, oil and charcoal on canvas
Dimensions: 91.4cm (H) x 91.4cm (W) x 5.1cm (D) / 36" (H) x 36" (W) x 2" (D)
Note: Actual colours may vary due to photography & computer settings.
I make paintings and drawings that evoke presence, place, and nostalgia. The works use stencils of found objects, primarily plant-based forms, from my surroundings as a base for the works. The real-life objects are tangible traces of my daily life and routines and the leaf-like forms reference nature. The forms mark the places I have been as a representation of myself and within the world and reference the natural processes of both growth and decay.
I start each piece with a sketch for a basic composition, but the work unfolds more instinctively as I respond to, add to, and obliterate from paint and forms on the canvas. Each work has multiple layers, as though building a life from an accumulation of experiences¬. Abstracted leaf-like shapes and blocks of color float above and below grids in shades of blue with explosions of magenta and yellow. The paintings waver between abstraction and figuration, organic forms and systematic marks, understated blues and vivid warm colors, searching for eternal balance but never quite landing on it.
Hometown: New York
Based in: Brooklyn
Katherine Keltner is a Brooklyn based artist. Her paintings and drawings evoke presence and place using stencils of found objects, primarily plant-based forms.
Raised in New York, she holds an AB, Dartmouth College, and an MFA, American University, and studied at Columbia Graduate School of Architecture, Planning, and Preservation. Her work has been shown throughout the US, in Canada and Europe including recent projects – a solo show, Quarantine Meditations, at Sweet Lorraine Gallery in Brooklyn, and a two-person show, Katherine Keltner + Luc Dubois – Unbound: Points of Encounter, at the Katzen Arts Center American University Museum; reviews and features in publications such as Art F City, ARTINFO and the L Magazine; and artist’s talks at American University and Hunter College. Keltner is a co-editor and writer at POVarts where she has published articles on Elizabeth Murray and Barbara Rose and she is at work on an oral history project of Rose which will become part of the Getty Research Institute’s permanent collection. Keltner was a Ragdale Fellow, the Artist-in-Residence at Rhombus Space, and a fellowship recipient at Vermont Studio Center.
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