Acrylic and spray paint on stretched canvas
Dimensions: 80cm (H) x 60cm (W) x 2cm (D) / 31.5" (H) x 23.6" (W) x 0.8" (D)
Note: Actual colours may vary due to photography & computer settings.
Kloska's angels are stunning composition on the theme of angel seen like an light vibrating energy with human shape. His paintings on such an original approach are absolutely stunning the viewer guiding in a soft way to a deep mediation on our human spiritual condition.
Painting: Acrylic on Canvas.
from THE BOOK OF ANGELS series : " The waiting - Composition 205 "
original acrylic on stretched canvas
canvas size: 60 x 80 cm / framed with black and rusted gold case frame / painting is varnish to protect the colors in time
THE SUMMIT OF THE ANGELS …
Ovidiu Kloska, a technician, does not allow his profession to come out to light. His presence is perfectly shaped and he is open to substantial and unconventional dialogue. He is a painter and a poet in the same time. From another point of view, the rationalism implied by engineering can be found only when navigating the internet and signing his e mails with the exciting formula I AM KLOSKA.
On the rest, we are dealing with a free spirit, open towards the sky of fantasy, where the presence of gladiator angels reign over lucid insomnia and the turn into unusual paintings. The exercise and the performance in modern techniques of advertising design brought him reputation and all this turned into the promoter of painting. Actually, a poet disguised as a painter, Ovidiu KLOSKA wants to propose to modern man another way of imaging, in a way that common elements of traditional painting cannot find their place anymore.
He does not reject the classics, but he does not worship them with endless devotion either. He feels, in everything, just like a free man. His personal touch on every image comes from all this and it focuses almost entirely only on a specific abstract concept. His show in Focsani looked like the perfection of initiation in angiology, the presence of the angels and their lives aiming to ineffable, to mentally estranging from gravity. This is where the idea of the angel comes from, from a theological and artistic point of view. He is not interested in pointless endless discussions about the genre of angels, just like the previous ones, but only in the population of angels that live in the interval.
Based in: Focsani, Romania
Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a way of mind, a mind performance with neurological circuits. This is my “magic eye”. I believe that uniqueness begins with the very capacity of inventing a universe out of things shattered by time, things that have changed into ephemerality. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should do. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. And the night that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.
My visual relates with dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear. "I was born in Romania, Neamt district, in a small town in N-E of Romania on 27 of July 1977. In 2000 I graduated from the Technical University "Gheorghe Asachi" from Iasi, Romania, Faculty of Electronics and Telecommunication. In 2009 I graduated with a masters at "George Enescu" Art University from Iasi, Faculty of Fine Arts, with the project "Urban wear - oniric interferences - the object of art". I Live and create in Focsani, Vrancea district from Romania.
Member of Romanian Union of Professional Artists UAP
My visual relates with dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear.
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