Archival pigment print on baryta paper
Edition of 11
Dimensions vary, edit your selection above
Note: Actual colours may vary due to photography & computer settings.
"Dolphin" ("Soluble Fish"), Poland. From "Trees-Shadows-Dreaming" series.
Available as unframed or framed - choose your option in the selection panel as follows:
"S" - unframed option: 33x48cm. Actual image print area: 30 x 45cm plus white margin for framing purposes.
"M" - framed option. Size of the frame: 40 x 55 cm.
Archival pigment print on museum quality baryta paper. Artist signature by pencil on the reverse of the print. Certificate of authenticity with image details attached.
Framing: acid free "sandwich" mat, acid free backing board, plus aluminium frame with standard glass. Aluminium (unlike wood) is also acid free.
The image was taken as a result of extreme long exposure.
2017: "Trees-Shadows-Dreaming", International Photography Festival, Białystok Interphoto 2017, Białystok, Poland.
2014: "Trees-Shadows-Dreaming", Muzeum Dwór Karwacjanów i Gładyszów (Karwacjans’ & Gładysz Manor), Gorlice, PL.
2012: "Land–Scapes", Galeria Fotografii (Photography Gallery), Kraków, PL.
2011: "Iconosphere of non-obviousness", Rabka-Zdrój, PL.
2011: "Romantic", Galeria Fotografii (Photography Gallery), Kraków, PL.
2012: Prix De La Photo, Paris, France.
2012: International Photography Awards, Los Angeles, USA.
K. Jurecki, Obligatory questions and hidden confessions [in:] Limits of tolerance. Catalogue of 3rd edition of International Photography Festival – Białystok Interphoto, Białystok 2017.
P. Nowicki, Trees-Shadows-Dreaming of Krzysztof Ligęza [in:] Didaskalia, Gorlice-Tuchów, 2016. (first published on authors' blog in 2014).
P. Zięba, Eternal now. On photography of Krzysztof Ligęza, „Południca”, (2) 2015.
Based in: Poland
Graduate of Polish studies and journalism. After graduation lived and worked in the UK. Asking himself some existential questions, decided to return to homeland and became professional photographer.
In his work mainly focused on documentary and fine-art photography. In the area of his interest a special place is taken by the relation: man-nature-sacred as well as the semantics of the image.
Mostly focused on landscape, as the most open (physical and semantic) field, but does not avoid any other -scapes. Rereading the famous phrase “There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy” is pleased that in the 21st century there are still plenty of them.
Buy with Confidence
Collect from reputable artists and galleries
Ships securely to your door
Certificates of Authenticity with each artwork
Back to Top