The Eagle
US$ 600
Overview
Giclée Print, Archival pigment print on museum cotton rag paper
Edition of 11
Dimensions vary, edit your selection above
Note: Actual colours may vary due to photography & computer settings
Shipping
Estimated delivery for this item is between 13 October - 18 October
This item ships from Poland
Please note that this item is unframed and will be shipped flat
Shipping cost will be calculated upon checkout
About the art
As seen in
Artist statement
"The Eagle", Poland. From "Trees-Shadows-Dreaming" series.
The image was taken in North West of Poland, in one of the largest cluster of monumental oaks in the Europe, a place which in the past could have been called a “sacred grove” or “locus amoenus”. The tree is called by locals "The Eagle".
Artist signature by pencil on the reverse of the print with details. Certificate of authenticity with further details attached.
Framing: acid free "sandwich" mat, acid free backing board and adhesive-free mounting in aluminium frame with standard glass. Aluminium (unlike wood) is also acid free.
Available as unframed or framed - choose your option in the selection panel as follows:
"S" - edition 1 (11+2AP) unframed option: 33x48cm. Actual image print area: 30 x 45cm plus white margin for framing purposes.
"M" - edition 1 (11+2AP) framed option. Size of the frame: 40 x 55 cm. Actual image print area: 30 x 45cm plus white margin for framing purposes.
Framed by the author: acid free, museum quality "sandwich" mat, acid free backing board and adhesive-free mounting in aluminium frame with museum, anti-reflective glass with UV coating (AR70). Aluminium (unlike wood) is also acid free.
"L" - edition 2 (5+2AP) unframed option: 100 x 70cm. Actual image print area: 90 x 60cm plus white margin for framing purposes. For this size please allow 8 working days preparation time.
Related tags
Artist profile
Krzysztof Ligęza
Born: 1979
Hometown: Polna
Based in: Poland
In his work mainly focused on documentary and fine-art photography. In the area of his interest, a special place is taken by the relation:
man-nature-sacred, human-space interaction as well as the semantics of the image. Mostly focused on landscape, as the most open field, but does not avoid any other …
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