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Krzysztof Ligęza

The wave-beaten silence

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Krzysztof Ligęza

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The wave-beaten silence by Krzysztof Ligęza
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The wave-beaten silence

by

Krzysztof Ligęza

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$ 670

Size

S - 48cm (H) x 33cm (W) x 0.1cm (D) / 18.9" (H) x 13" (W) x 0.04" (D)

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Overview

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Archival pigment print on baryta paper

Edition of 11

Dimensions vary, edit your selection above

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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"The wave beaten silence", Wales, United Kingdom.
From "Trees-Shadows-Dreaming" series.
Available as unframed or framed - choose your option in the selection panel as follows:
"S" - unframed option: 33x48cm. Actual image print area: 30 x 45cm plus white margin.
"M" - framed option. Size of the frame: 40 x 55 cm.

Archival pigment print on museum quality baryta paper.
Artist signature by pencil on the reverse of the print with details. Certificate of authenticity with further details attached.
Framing: acid free "sandwich" mat, acid free backing board, plus aluminium frame with standard glass. Aluminium (unlike wood) is also acid free.

Featured:
Individual exhibitions:
2017: "Trees-Shadows-Dreaming", International Photography Festival, Białystok Interphoto 2017, Białystok, Poland.
2014: "Trees-Shadows-Dreaming", Museum Dwór Karwacjanów i Gładyszów (Karwacjans’ & Gładysz Manor Museum), Gorlice, PL.

Literature
K. Jurecki, Obligatory questions and hidden confessions [in:] Limits of tolerance. Catalogue of 3rd edition of International Photography Festival – Białystok Interphoto, Białystok 2017.
P. Nowicki, Trees-Shadows-Dreaming of Krzysztof Ligęza [in:] Didaskalia, Gorlice-Tuchów, 2016. (first published on authors' blog in 2014).
P. Zięba, Eternal now. On photography of Krzysztof Ligęza, „Południca”, (2) 2015.

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Artist Profile

Born: 1979

Hometown: Wyskitna

Based in: Poland

Graduate of Polish studies and journalism. After graduation lived and worked in the UK. Asking himself some existential questions, decided to return to homeland and became professional photographer.
In his work mainly focused on documentary and fine-art photography. In the area of his interest a special place is taken by the relation: man-nature-sacred as well as the semantics of the image.
Mostly focused on landscape, as the most open (physical and semantic) field, but does not avoid any other -scapes. Rereading the famous phrase “There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy” is pleased that in the 21st century there are still plenty of them.


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