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Lee Chun-yi

Poetry in Painting

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Lee Chun-yi

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Poetry in Painting by Lee Chun-yi

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Poetry in Painting

by

Lee Chun-yi

US$ 12,000

Overview

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2019

Chinese ink on rice paper

Unique Work

Dimensions: 66cm(H) x 100.5cm(W) x 2.5cm(D) / 26.0"(H) x 39.6"(W) x 1.0"(D)

Note: Actual colours may vary due to photography & computer settings.

Artist Statement

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Exhibited: "Enriching Steles: Ink Art by Lee Chun-yi", Alisan Fine Arts, Hong Kong, 2019; Published: "Enriching Steles: Ink Art by Lee Chun-yi", Alisan Fine Arts, Hong Kong, 2019, P.56
《心經》
觀自在菩薩,行深般若波羅蜜多時,照見五蘊皆空,度一切苦厄。舍利子,色不異空,空不異色,色即是空,空即是色,受想行識,亦復如是。舍利子,是諸法空相,不生不滅,不垢不淨,不增不減。是故空中無色,無受想行識,無眼耳鼻舌身意,無色聲香味觸法,無眼界,乃至無意識界,無無明,亦無無明盡,乃至無老死,亦無老死盡,無苦集滅道,無智亦無得,以無所得故。菩提薩埵,依般若波羅蜜多故,心無罣礙,無罣礙故,無有恐怖,遠離顛倒夢想,究竟涅槃。三世諸佛,依般若波羅波多故,得阿耨多羅三藐三菩提。故知般若波羅蜜多,是大神咒,是大明咒,是無上咒,是無等等咒,能除一切苦,真實不虛。故說般若波羅蜜多咒。即說咒曰:揭諦揭諦,波羅揭諦,波羅僧揭諦,菩提薩婆訶。

Heart Sutra
The Bodhisattva Avalokitesvara, while practicing the profound prajnaparamita, clearly saw that all five skandhas are empty, thus overcoming all suffering. Sariputra, form is no different from empty, empty no different from form, form is just empty, empty just form, sensation, perception, volition and consciousness are also like this. Sariputra, this is the emptiness of all dharmas: they neither arise nor cease, are neither defiled nor pure, neither increase nor decrease. For this reason within emptiness there is no form, no sensation, perception, volition or consciousness; no eye, ear, nose, tongue, body or mind; no sight, sound, scent, taste, touch or thought; no seeing,…even no thinking; no ignorance nor end of ignorance,…even no aging and death, nor end of aging and death; no suffering, origin, cessation or path; no wisdom and no attainment.
Because nothing is attained,bodhisattvas maintain prajnaparamita, then their heart is without hindrance, and since without hindrance, without fear; escaping upside-down, dream-like thinking, and completely realizing nirvana. All buddhas of all times maintain prajnaparamita, thus attaining anuttara-samyak-sambodhi. Hence know, prajnaparamita is the all-powerful mantra, the great enlightening mantra, the unexcelled mantra, the unequaled mantra, able to dispel all suffering. This is true, not false. Therefore proclaim the prajnaparamita mantra. Recite the mantra thus: Gate gate paragate parasamgate bodhi svaha!

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Artist Profile

Born: 1965

Hometown: Kaohsiung, Taiwan

Based in: Kaohsiung

The cosmopolitan diaspora artist Lee Chun-yi (born Taiwan, 1965) moved to Hong Kong as a youth, pursued graduate studies in the United States, and returned to Taiwan to embark on an artistic career. With a revolutionary method departing from the conventional use of a paintbrush, Lee Chun-Yi employs calligraphy through the use of Chinese seals and ink rubbings. He carves Chinese characters into pieces of soft wood to form chops, then stamps them repetitively on the paper to form a semi-photographic image. Literally building up a visual composition through words, his paintings function as symbolic poems, with the strength of the stamp indicating the intended tone of expression.

Lee has participated in over 30 group and solo exhibitions internationally. His works have been collected by the Ashmolean Museum of Oxford University, the Arthur M. Sackler Museum of Harvard University, the Asian Art Museum of San Francisco, the Phoenix Art Museum, USA; the Jiangsu Art Museum, the Qingdao Art Museum, China; the National Arts Education Institute, Taipei; the Hong Kong Museum of Art, and other public and private collections.

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