View In Room
View In Room
Ink and watercolor on paper
Dimensions: 67cm (H) x 45cm (W) x 0.2cm (D) / 26.4" (H) x 17.7" (W) x 0.08" (D)
Note: Actual colours may vary due to photography & computer settings.
This work offers meditation in the face of the discontinuous energy of trees and their graphics. Made on crumpled Nepalese paper, this work on paper measures 49 X 71 cm.
Souffle ink is a particular series, which was produced after the Les Naturenales series and which is its more abstract version.
The artist generally begins by working on Nepalese paper by wetting and crumpling it. Then she lets it dry often 24 hours. Then comes a work in ink to establish dominant colors which will serve as a nest for the graphic derivatives of the trees made in charcoal black with Indian ink. This graphic work is carried out at the same time with the Chinese brush but also with finer watercolor brushes as well as with nib and pen for the finest branches.
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Based in: Fontainebleau, France
Linda Bachammar is a French painter and designer with national and international visibility (France, Usa, Italy). His work is mainly focused on a poetry of existence, drawing its inspiration from nature, travel or meditation. Linda Bachammar installs sweet and strange reveries in her works. She expresses all her energy and breath of life through intense colors. The artist seeks to create a poetry of links between human and nature, dream and reality, the human species and spirituality.
Linda has exhibited in several galleries and art fairs in France and abroad, notably in Paris at the legendary Grand Palais for the "Watercolor and drawing show", at the Halle des Blancs Manteaux with "Les Peintres du Marais". Abroad, it is in Italy that she distinguished herself at the international exhibition Kromatika curated by Cosimo Strazzeri or AMARS in Milan curated by Eva Amos.
"My painting seeks to reconnect the world of adults with the spirit of children, magic, paganism. I invent a world where plants, trees, flowers, forests have an aura, a soul and secrets to reveal. In addition to this, you need to know more about it.
The human species is no longer alone in its bubble and its quest for material growth. Development is collective, in the capacity of each species to commune, harmonize and communicate with other species, other worlds, other times.
It is about taking the viewer on a journey where escape and fantasy are part of everyday life and 'reality'. I therefore seek to establish little by little a new ontology by the accumulation of symbols linked to childhood, hedonism, joy, wild life marked by pagan rites. "
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