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Lives and Works: Beijing
The critique waged by the work and conceptual art projects of Liu Ding is best characterized as viral. Through his practice, which crosses genres fluidly and includes photography, sculpture, installation, painting and performance, the artist questions the various signs and structures used to confer value and meaning onto artworks. These include pricing schemes, the artist’s signature, methods of production, notions of originality, and sites and modes of display. By continually mutating, his work endures and even thrives in nearly any context, threatening to infect all it touches.
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