View To Scale
View In Room
View To Scale
View In Room
Oil on cotton
Dimensions: 140cm (H) x 120cm (W) / 55.1" (H) x 47.2" (W)
Note: Actual colours may vary due to photography & computer settings.
The recent series of paintings mainly reflects a kind of collision between reality and unreality that can happen in the everyday world, such as when listening to music or seeing something familiar that creates a mental image. Such collisions intersect with daily experience.
In the work, I make a division into different parts which each has its own visual surface and, when put together, can express the collision between reality and unreality. As part of the process, I adopt exaggerated lines and strokes to depict real and figurative spaces with thick paint as dominant part that also function to communicate a sense of exaggerated reality. Further, I try to build an abstract pattern with flat paint in the pictures to embody a kind of imagined fictional space to break into the figurative and realistic world. The whole picture is comprised of two halves; one, a realistic expression, the other, an unreal one.
Before this series, I have been trying to put ‘sense of flow’ into my painting works since 2017. I hope that，through the painting， I can present a philosophic idea that everything is in absolute motion and stillness is relative which has its origin in a philosophical idea (from Heraklitus). Eastern Buddhism believes that all things in the world have a constant state of change and are interdependent which is the same idea. This feeling is quite strong in our era. We have to face and to be connected with such a dramatically changing world. This is reason I adopt abundant flowing strokes and lines in the picture in order to reveal the concept visually.
Currently, my exploration is geared to a new stage which focuses on the cognition of fiction and reality in this fast-changing world. In the paintings, I weave my imaginings - fictional ones - with what I have experienced in my life and demonstrate them through combining different layers and contrasting surfaces. I employ a semi-abstract way of creating an atmosphere which is characterized by realistic and fictional elements. These works have a dream-like quality and are intended to trigger the imagination and ideas of the viewer.
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Based in: China, UK
Ming Ying is a painter in both China and UK. She finished BA course at University of the Arts London and continued MA course at Royal College of Art. She mainly focuses on creating oil painting works. In her practice, she is exploring a personal painting language and devotes herself to bringing a new visual experience of painting to viewers. She has tried many different painting styles and intended to combine the eastern philosophical theories and western way of representation. Striking colors and exquisite composition, delicate sense of rhythm become the characteristics of her works. Her works show strong emotions, rich imagination, philosophical thought and personal experience. She is eager to express her thoughts and thinking of society, life and culture through her painting works.
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