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Naigaa

Zeebad (Brown)

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Naigaa

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Zeebad (Brown) by Naigaa

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Zeebad (Brown)

by

Naigaa

US$ 5,000

Overview

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2015

Acrylic on Canvas

Unique Work

Dimensions: 145.0cm(H) x 145.0cm(W) x 3.0cm(D) / 57.1"(H) x 57.1"(W) x 1.2"(D)

Note: Actual colours may vary due to photography & computer settings.

Item Description

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Zeebad(神秘狮子头符号):它通常是放置在的地方,如寺庙或宫殿正门的两侧。当一个人这两个符号之间的推移在它净化该人。
Zeebad (mystical lion's head symbol): It is usually placed on the two sides of the main gates of places such as temples or palaces. When a person goes in between these two symbols it purifies that person.
Zeebad (symbole de tête de lion mystique): Elle est placée d’habitude des deux côtés des grands portails des temples et des palais. Quand une personne se place entre ces deux symboles, cela la purifie.
Zeebad (mystisches Loewenkopf-Symbol): Normalerweise werden diese Tuerklopfer an den Haupteingaengen von Tempeln oder Palaesten angebracht. Jeder, der diese Loewenkoepfe passiert, wird von ihnen gelaeutert.
 Zee Bad (Cabeza mística de Leon): Típicamente lo ponen a los dos lados de las puertas principales de un templo o de un palacio. Cuando uno camina en medio de ellos se purifica.
Zee Bad: Как правило, они имеются на центральных воротах у входа в монастырь или дворца, это означает, что каждый, кто войдёт через это будет очищен от негативов и неудач.
Зээ бад: Ихэвчлэн сүм болон дуганы хаалганы хоёр талд байдаг, гадаад их далайн эзэн лусын хааны толгойн дүрсийг илэрхийлэх бөгөөд муу зүйлийг оруулахгүй гэсэн утгыг илэрхийлнэ..
زي باد (رمز باطني رأس الاسد ) وعادة ما يتم وضعها على جانبي البوابات الرئيسية من أماكن مثل المعابد أو القصور.عندما يذهب الشخص في ما بين هذين الرمزين ينقى هذا الشخص.

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Artist Profile

Born: 1984

Hometown: Ulaanbaatar

Lives and Works: Ulaanbaatar

Naidandorj Enkhbaatar (Naigaa) was born in 1984 in Ulaanbaatar. In 2001, he obtained a Bachelor Degree in traditional Mongolian painting (Zurag) from the School of Fine Arts at the Mongolian University of Arts and Culture.

Naidandorj has solid drawing and painting knowledge that allows him to explore new painting techniques to develop his art and personal style. Often taking the best of "Zurag", the traditional Mongolian painting style, and venturing into modern design and painting using acrylic, Naidandorj distinguishes himself from the stream of Mongolian contemporary artists. He purposely lets paint drop on canvas as his own signature.

His paintings are generally profound and can also betray his renegade attitude towards the current political deviations that Mongolia presently suffers from. His calligraphy style is equally powerful and meaningful.

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