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Icelandic Poppy IIBy Paul Coghlin

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US$ 900

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Overview

2014

C-Print, Pigment ink print on archival fine art paper

Edition of 50

Dimensions vary, edit your selection above

Note: Actual colours may vary due to photography & computer settings.


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This item ships from United Kingdom

Please note that this item is unframed and will be shipped rolled


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Certificates of Authenticity with each artwork


Artist Statement

This print of an Icelandic poppy has received the following awards:

2nd Place (Nature), International Photography Awards, New York, USA

Silver Award (Visual Arts), British Institute of Professional Photography Awards, UK

This Limited Edition photography print of a delicate, peach-coloured poppy on a pink/peach background is made using archival pigment inks and archival fine-art paper. It is signed and numbered by Paul Coghlin on the front, and supplied with a Certificate of Authenticity.

This print is part of Paul's CHROMA colour floral series. He has chosen the subjects for this joyful collection of work for their exquisite detail, delicate colour and natural symmetry. Many of the flowers were grown by him in his garden and others have been grown at a nearby flower farm, just a few miles from Paul’s studio. Each of the floral art prints have one dominant hue and a physical background based on a specific colour selected from the petals of each individual flower, which are designed to complement each other perfectly. Paul explores texture throughout much of his work and the fine detail he captures is a recognised component of his photographic style.

“I have tried to convey that emotional impact we feel, when we see something beautiful for the first time”, says Paul. “When I see a stunning flower, I notice its perfume, fine texture and the intricacy of its structure. It's a fleeting first impression, which is a challenge to capture in a photograph, and I work to convey this emotion”.

 


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Artist Profile

Born: 1967
Hometown: Sudbury
Based in: Suffolk, UK

“Throughout all of my projects, I’ve worked to capture not just a subject’s form, but also a visual and perhaps painterly representation of the fleeting emotion I felt at the time the images were captured; encouraging the viewer to experience at least part of that same intangible sensation when they …

 

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