3 bronze parts on a cedar of lebanon base
Dimensions: 15cm (H) x 37.5cm (W) x 21cm (D) / 5.9" (H) x 14.8" (W) x 8.3" (D)
Note: Actual colours may vary due to photography & computer settings.
3 bronze parts on a Cedar of Lebanon base
Stamped with monogram signature and uniquely numbered 837
The exposed edges in natural bronze are finely rubbed and lacquered which prevents air reaching the bronze and causing natural darkening. Maintaining integrity of the lacquer is essential and careful handling is advised.
Weight 4.1 kgs
Philip Hearsey is an experienced British sculptor who has exhibited his work throughout the UK. Rather than engaging in specific theories, he is driven by an instinctive urge to progress at his own pace and focus on making things. He turns observations and visualizations into 3-dimensional realities, harnessing his specialty in sandcasting to make sculptures that engage the quality of bronze as a noble material in its own right. Hearsey's pieces showcase smart simplicity, intriguing shapes and a tactile touch.
Based in: Herefordshire
Philip Hearsey is a British sculptor born in 1946 who lives and works in Longtown, Herefordshire, UK. Philip has exhibited his work throughout the UK. He specializes in sand casting to make sculptures that engage the quality of bronze as a noble material in its own right. Casting in sand moulds is a simple and ancient method far removed from the sophisticated lost wax operation used by most art foundries. The sand casting process is relentless and unforgiving – the foundry is no place for a delicate original. It denies a complexity of form that imposes a disciplinary and enriching simplicity. Color is achieved in many ways. The most common and widely used method is to oxidize or patinate the bronze by employing the same chemical reaction that occurs in nature, but using a combination of mild heat and stronger solutions to achieve a faster result. Patination can be enhanced by the application of a transparent colorwash that maintains the inimitable variegated effects that are possible with oxidization, whilst producing a more vivid finish. The most usual colorwash is acrylic, but oil-bound washes or colored waxes are sometimes used. Coloring can also be achieved by painting alone and often this technique is utilized on part of a sculpture in combination with patination. Painting allows a greater range of colors than patination alone. All coloring is finished and protected by a marine grade lacquer and/or wax.
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