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Overview
2022
Giclee print on hahnemule fiber matt paper and handmade drawing with chinese ink on 210 g. matte fiber paper
Edition of 10
Dimensions: 38cm (H) x 34cm (W) x 4cm (D) / 15" (H) x 13.4" (W) x 1.6" (D)
Note: Actual colours may vary due to photography & computer settings.
Artist Statement
Set of 4 Maps (Framed), 2022 by Rodrigo Spinel
From The Prints Serie 17
Giclée printed on Hahnemule Fiber matt 210 g.
and Handmade drawing with Chinese ink on 210 g. matte fiber paper
Overall frame size: 38 cm H x 34 cm H x 4 cm D.
Overall image size: 21 cm H x 17 cm W x 0.3 cm D.
Edition 4/10
Individual size:
Image size: 10.5 cm H x 8.5 cm W
Frame size: 19 cm H x 17 cm H x 4 cm D.
-Colombia país de Ciudades. Edition 4/10
-Congreso Panamericano de Carreteras. Edition 1/10
-Depertamento del Chocó. Edition 3/10
-O.E.A. Edition of 10
Ivory wood brown Frame
The current situation promoted the use of physical mail, making visible the objects and dynamics related to its operation. The project proposes the contrast of the image of two of them: the air waybill and the stamp, similar in function but from different times. This gesture seeks to mark the change in the use of the image, inviting a reflection on the languages that are abandoned as a result of globalization, and giving way to a unification of visual parameters.
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The artist finds in drawing a way to explore the relevance of detail in the construction of images, objects, and spaces. The repetition of tiny elements such as the line in a drawing leads to the construction of complex universes where that detail acquires value and becomes the basic unit, like the brick in a wall.
The gesture of the repetition of small elements and the time invested in doing it is used as a tool to give "value" to the images that are constructed.
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Artist Profile
Born: 1986
Hometown: Bogotá
Based in: Colombia
The artist finds in drawing a way to explore the relevance of detail in the construction of images, objects, and spaces.
The repetition of tiny elements such as the line in a drawing leads to the construction of complex universes where that detail acquires value and becomes the basic unit, like the brick in a wall.
The gesture of the repetition of small elements and the time invested in doing it is used as a tool to give "value" to the images that are constructed.
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