My painting is running essentially in two abstract fields. Both are explorations into colour, texture, mark making and painting matter. One of them is more organized. The main effort is concentrated on choosing the color and adopting it to its “biological” form, not dissimilar to creating a DNA structure. The painting is, however, not precisely designed at the start point and there is a lot of space for unplanned decisions during the process.
The other direction is much more spontaneous. There is less calculation, analysis and maths. Gesture, feeling, mood and touch become prevalent. These two ways of painting are competing with or complementing each other, showing predominance of one over the other. These two paths have always accompanied my painting: one discovers intellectual structures while the other participates in biological spontaneity. This is a both inspiring and difficult situation during the process of painting which has always produced unique effects.