JinSik Kim's career is off to a great start. Within three years of graduating from ECAL, his portfolio has seen him touring the world with his HalfHalf Collection, collaborating with Wallpaper* Handmade, launching new designs with Christofle and last but not least, putting on a solo show at Seoul's Sophis Gallery - all done by the age of 34.
"I loved the purity of the form and the contrast of the materials." commented fellow Korean fashion designer Eudon Choi after seeing his work in Milan where Kim designed a mini golf course for Wallpaper* Handmade. And when the new edition of 'Collect' craft fair rolled around this year, he unequivocally selected Kim's "HalfHalf round Circle 120" as the Object of The Day, which made Kim a very happy lad indeed.
After finishing up his solo show 'Balance from a Line' (and of course, listing with us), we've been able to get to know more about him and chat about his upcoming endeavours.
Where do you find your inspiration?
I was born outside of Seoul and I grew up with my grandparents in a small village, under a traditional lifestyle. In the village, people made objects that they needed and I respect that attitude. So, not only do I want to design objects concisely but also to reflect my design language, to wake up pureness of people.
What made you want to design “design/art" pieces rather than industrial designs that Korean designers are mostly known for?
I would like to put my effort into design art because it is a small part in Korea. It is really an important thing to make various opinions for living, culture and society via design. In Korea, we don't have many options for design objects. People are familiar with mass productions from larger companies but I believe that independent designers need to question why we are alive and how we live. My question is that design can be a poem or a sculpture.
Tell me more about your solo show "Balance from a Line".
First of all, what I want to show is my design language as a person. My question is how to develop design pieces into sculptural pieces or poetic one. The answer is a line to make an abstract shape with hidden functions. To know objects slowly is really important for my design. I hope that people appreciate my design slowly like a poem.
What's the biggest challenge in putting on this show?
Conceptualization for me is hard but production of design pieces is also so difficult. I wanted to make wood of winter forest, but made of metal. There are frosted room dividers made of aluminium which create a mood that you don’t recognise, as deep in space as a forest. That is my main concept of space design. My biggest challenge was how to make an artificial winter forest and what material can create the mood. Finally, I developed aluminium sheet scratched and zinc for the conception.
What hopes do you have for this show? And was the response as you expected?
I hope to hear different questions about a variety of culture, material, space and designer’s role relative to designs. It is really important to show people what I imagine and what I can do. The exhibition can create a new link for me to explore new concept and space. New challenges always make me feel alive.
What made you want to be based here in Seoul? What are the advantages?
At ECAL, it was fantastic for me but it was quite hard to communicate with local technicians in their language. It is not possible to produce everything by my hands. Here, I can talk to many technicians to produce design pieces or develop a concept. They inspired me as they have deep know-how and understanding about production. It is exciting to ask them hard questions about production and it is also a new challenge for me as well.
What is a typical working day for you like?
I work from 10 am to 7 pm but I normally spend a long time at work as my house is just beside it. I prefer to take the time to think after coming up with the idea. It is a big part of a design to clean up all the ideas in my head (so that it has a) concise contexture like a poem.
Where will we see you next?
In September, the HalfHalf collection will be shown at Cheongju Craft Biennale 2017 (13 Sept - 22 Oct). I will make a more colorful version of the mirror collection, which is totally different from what was shown at the solo show. I will probably show my new pieces under a special theme in Seoul this year. I don't have all the details yet but I think people will enjoy the new pieces.
Find out more about Jinsik Kim and his works here.
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