The latest artist to join STPI gallery’s Artist in residence program is award-winning Japanese artist, Teppei Kaneuji. Teppei is known for his assemblages which involve collecting objects to create an entirely new concept. In Endless, Nameless (Constructions), he was inspired by objects and symbols reflecting the culture of Singapore, a city which he describes as a collage in of itself. “Multi-cultures are blended together like chaos and order in one place.I was very much drawn to that, and I was influenced by the shape, colours and spaces of Haw Par Villa…”*
The Artling speaks to Teppei about his experience in Singapore and the impact of this residency to his art.
Because my style of working has always been to connect different dimensions and situations, it was such a great experience for me to work with different mediums at STPI.
The objects are selected according to the work and what I set out to achieve. For example, in the case of the White Discharge series (pouring white resin over objects amassed together), I wanted to build a sturdy and tall structure, so I tried to collect different kinds of objects that could play the role of a column and a beam. That was the one criteria in the selection of objects for that work. The original meaning of these selected objects are different the way I see it and the act of putting disparate objects together breathes new life into them. It creates new encounters for all who see the result.
Even though we are looking at the same piece of art or object, how we interpret it differs according to one’s experience or cultural background. The things you know and the things you don’t also differ and that is beyond our control. Take for example my work Hakuchizu, where I poured white powder over various objects on a table. It was understood by some as the ashes of an atomic bomb or pollution from China. Some might say it’s a Japanese Zen garden, or a scene of winter, while others say it’s a fictional representation of the final days of the earth. Whether we’re aware of this or not, the notion of Variety will always co-exist in a space.
Any artist whose language I do not speak.
Endless, Nameless (Constructions) opens on 20 September at the STPI gallery in Singapore and runs until 25 October.
*Quote from the STPI website
Any views or opinions in the post are solely those of the authors and do not necessarily represent the views of the company or contributors.
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