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Minimalism 101: The Only Minimalist Art Guide You Will Need

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Emotional color chart 01 - spring by Kyong Lee

Minimalism 101: The Only Minimalist Art Guide You Will Need


Minimalism 101: The Only Minimalist Art Guide You Will Need

Frank Stella, Tahkt-I-Sulayman Variation II, 1969. Image courtesy of © Frank Stella / Artists Rights Society (ARS), New York

What is Minimalism?

Minimalism is a popular art movement that developed in the late 1950s and early 60s. During this period, the art world saw a major transition particularly amongst younger artists whose works began to actively reject and move away from abstract expressionism.

The art movement was truly ground-breaking for its time, as it saw artists focusing on highlighting the very true essence of the medium and material to form the art itself. Considered an extension of abstract art, minimalism removes all essential forms in order to expose the purity and beauty of the art object. It is a genre that has been widely associated with conceptual art, which during the 1960s, was extremely radical in that it challenged pre-existing structures of making, viewing, and understanding art. With minimalist artists focusing primarily on the surface of the canvas and the aesthetic quality of materials, their works have been closely linked with notions pertaining to truth and honesty. Artist’s did not pretend to represent anything other than what it was.

The movement constitutes of a school of abstraction devoid of personal expression – or at least where personal expression is kept to a minimum. Geometric lines meet a tangent of utmost simplicity, and forms deliberately lack expressive content.

Frank Stella, The Marriage of Reason and Squalor, II 1959

The Rise of Minimalism

By the late 1950s, there was a stark change in attitudes towards painting and sculpture that saw a marked deviation from the emotive and physical sensibilities that characterised much of the Abstract Expressionist movement in the 1940s and 50s. In contrast to the loose and gestural works of Jackson Pollock, Willem de Kooning, and Franz Kline, younger artists in turn started to favour sleek, simple, and reductionist techniques in their works as opposed to the active and spontaneity that constituted abstract expressionist painting. Minimalism was ground-breaking because it removed all forms of self-expression and individuality – something that was unlike any previous art movement. Through the removal of decorative, figurative, and representational elements, minimalist art focused on the textural and material elements in a pure abstract form.

Minimalism rose to prominence in the early 1960s, rather soon after Abstract Expressionism dominated the 50s. Overarching motivations for Minimalist artists and the necessity for its movement consisted of their disdain towards how abstract expressionist art reflected too much of its creator; they felt these works were pretentious, unnecessarily personal, yet unsubstantial in subject and context. As such, they turned towards the polar end of this spectrum, creating works that attempted to be wholly objective, inexpressive, and non-referential. 

Donald Judd, Untitled, 1990. 

Image courtesy of © Estate of Donald Judd /VAGA, New York/DACS, London 2020.

"All I want anyone to get out of my [works] and all I ever get out of them is the fact that you can see the whole idea without any confusion. What you see is what you see." –Frank Stella, 1964

In an effort to contrast emotive canvases that abstract expressionism trademarked, Frank Stella (formerly an abstract expressionist), created his Black Paintings; these paintings still define him to this day. Stella, one of the first artists to be specifically linked to minimalist art, was instantly acclaimed for this series. At only 23 years of age, he presented four of his ‘Black Paintings’ at the Museum of Modern Art in New York. This series eventually grew to include two-dozen large-scale canvases, with each comprised of “concentric bands or stripes” in black house paint on raw canvas, “at once stark, deadpan, rigorous, imposing, velvety – diagrammatic but also tactile”.

Installation view of "Primary Structures" at the Jewish Museum, New York, 1966 (from left: Richard Artschwager, Pink Tablecloth, 1964; Anne Truitt, Sea Garden, 1964; Paul Frazier, Pink Split, 1965)

‘Primary Structures’ at the Jewish Museum

A key point for the minimalist art movement was additionally the group exhibit entitled ‘Primary Structures’, that featured works by Dan Flavin, Sol LeWitt, Robert Morris, Donald Judd and Tony Smith. Held at the Jewish Museum in New York in 1966, this exhibit turned out to be a critical and media success. The artworks that made up this exhibition comprised of bare, almost naked materials with smooth and shiny surface. It provoked the train of thought that the artist need not be a “maker” of art, as the artworks were not made with their own hands, but rather instigated an “artist as designer” tag.

Mark di Suvero, an artist who participated in this exhibition, famously remarked, “Donald Judd cannot qualify as an artist because he doesn’t do the work”, to which Judd replied, “The point is not whether one makes the work or not… I don’t see… why one technique is any more essentially art than another…” What this exhibition then gave way to was this new way of expressing ideas and space (sans any actual personal expression) that did not rely on the artist, but instead the final result.

Installation view of Other Primary Structures at The Jewish Museum, 2014, New York.

The Aim of the Minimalist Artists

Across the realm of artists, architects and designers who partook in the minimalist art movement, the one key aspect they were targeting was that of wanting viewers to have immediate, absolute, and purely visual response to their work. They believed that with this visual response came a personal connection and experience with their works, allowing them to engage with its qualities of colour, form, space and medium. They wanted to detract viewers from the whole “oh this looks akin to a ________” trajectory and mode of viewing art, and instead de-mystify works to their most basal entity. 

Peter Halley, *Here and Now,* 2018. 

Image courtesy of the artist and Greene Naftali, New York.

The Impact and Influence of Minimalist Art

Minimalism had an immense influence in the history of modernism for it was a movement that introduced a new way of looking, creating and experiencing works of art. What was greatly impactful about the minimalist philosophy, was that it was a style that completely glorified simple, and essential elements of line and form, which has today importantly translated into music, interior design, graphic design, and architecture. People today have even gone so far to adopt the foundations and attitudes of minimalism as a way of living life.

Minimalism has influenced a whole wave of contemporary artists such as Peter Halley, Lorenzo Belenguer, and Sherrie Levine, who are often regarded as Neo-Minimalist or Neo-geo artists. These individuals used the foundations of minimalism to criticise what Peter Halley saw as the ‘geometricisation of modern life’.

Monochromes After Reinhardt: 1-14, 2018. Image courtesy of the artist and David Zwirner, New York.

Sherrie Levine, 

Why Buy Minimalist Art?

Minimalism is an open and easy starting point for anyone interested in starting an art collection. More is not always better, and this lies at the very core of the minimalist concept. This is why minimalist art is so powerful. The work itself enables one to focus on the most essential and elemental aspects of an object in a way that does not rely on the personal expression or particular view of the artist. Minimalist art can come in a variety of forms: painting, sculpture, print, photography, design and much more – there are plenty of options when thinking about incorporating such works into your collection or home.  

View of A Work on Paper by Ellsworth Kelley. 

Image courtesy of Robert C. Lautman and Architectural Digest. 

Minimalist Art for the Home

Minimalist art is a perfect addition to any home, as it can add colour and vibrancy into any room without being overtly representational or obtrusive. The simple, hard-edged, geometric forms of minimalism do not necessarily mean that such works are bland. Quite the opposite actually. Minimalist art can add a sense of rhythm and repetition within a space, and create a fluid flow within the room.

There are various types and forms of minimalist art, and adding monochrome works can also help to neutralise a space, whilst introducing dimension and clean geometric lines into the home. Minimalist artwork can bring a sense of calmness and add an element of texture in any living space.

A vibrant mural by Sol LeWitt adorns the foyer of Australia Square.

Image courtesy of Darren Bradley.

Minimalist Art in the Workspace

The beauty about minimalism is that it is perhaps one of the most versatile styles of art. What is great about this is that you can mix and match minimalist art with other works, such as photographs, figurative paintings or landscape pieces. The clean lines, reductive, simplicity of minimalist pieces can help to bring a sense of cohesion in an office, which is important and fundamental in a working environment.

Minimalist Artists and Artwork

In order to truly understand this movement accurately, here are some examples of paintings, sculptures, architecture, and design which are identified as minimalist works: 

Gene Davis, Apricot Ripple, 1968.

Agnes Martin, Untitled 1977. 

Image courtesy of Guggenheim. 

Robert Morris, Untitled 1965, reconstructed 1971.

Image courtesy of Tate © ARS, NY and DACS, London 2020

Richard Serra, The Matter of Time, 2005. 

Image courtesy of Guggenheim. 

Nendo, denqul for Sugita Ace, 2018

Nendo, denqul for Sugita Ace, 2018 

Casa Barragan / Luis Barragan, Cuerámaro, Mexico. 

Minimalist Art on The Artling

While it may not be possible for everyone to own a masterpiece, you can still own an original minimalist artwork from the finest contemporary artists from all over the world on The Artling:


Emotional color chart 01 - spring - Kyong Lee (Available on The Artling)


Not yet 012 - Kyong Lee (Available on The Artling)


Void Decks #2 - Ernest Wu (Available on The Artling)


Black Boxes #4 - Ernest Wu (Available on The Artling)


Edge Control #25, Hard Diplomacy - Genevieve Chua (Available on The Artling)


Pivot Point - Genevieve Chua (Available on The Artling)


Mirror as an architecture, "Circle" - Norihiko Terayama (Available on The Artling)


Mirror as an architecture, "Square" - Norihiko Terayama (Available on The Artling)


The Emotional Creation #282 - Carla Sa Fernandes (Available on The Artling)


UnderCover Cork No. 2 - Carla Sa Fernandes (Available on The Artling)

We hope you enjoyed this art collector's guide to buying minimalist art. If you are keen on adding a minimalist piece to your art collection, you can browse our curated collection of minimalist artworks. If you need additional assistance or have a specific requirement, you can chat with our expert art curators here.

Any views or opinions in the post are solely those of the authors and do not necessarily represent the views of the company or contributors.

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