Dimensions: 12cm (H) x 11.5cm (W) x 11.5cm (D) / 4.7" (H) x 4.5" (W) x 4.5" (D)
Note: Actual colours may vary due to photography & computer settings.
This Dome vase by Zheni was exhibited at "1000 vases" in Paris in frames of Paris design Week 2020 and appeared in the 1000 vases catalog. This vase is a unique, one of a kind item and implies a certificate of authenticity.
"An idea for designing such objects came to me when I found natural clay in the forest. I started from forms that mostly remain natural ground. But then I went to wheel-thrown and handbuilt objects.
The object has two parts. I call it dome construction. One part is a cup with a simple form. For water. It is hidden in a Dome part which is main for the object where the plant/flower is placed. On the top of the Dome part is ground stylized texture."
Vase. A wheel-thrown ceramic two-piece vessel. Dome and a cup made from recycled grey colored clay with chamotte inside (size 0-1,5mm). The white glossy glaze goes inside of the dome body and on the whole cup. The pair is a unique sculptural and constructive vessel for fresh flowers.
Dome. The sculptural dome has a rough texture because of small chamotte stones in a clay body. Can be used as a vase for dry flowers. Size. 12x11.5
Cup. Cup is suitable for liquids and can be also used separately. Size. 8.5x7.8
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Based in: Bratislava
My name is Evgeniia Kazarezova and I’m a ceramic designer. Started my professional career as an architect and later as an interior designer, I continue to work with space now by placing my objects in it. Mostly I work with clay as with one of the ancient and natural material human worked with. Perception of the way material got through the thousands of years in different cultures all around the globe gives me a dose of verve.
Using traditional craftsmanship methods, I go for contemporary design objects that reflect my vision and feeling of the modern world's actualities.
I'm a child of post-Soviet Russia. So I appreciate soviet postmodernist and brutalist architecture.
I observe relationships of modern human and flora on the city site, making connections between different phenomenons. Through the natural material and oldest craft, I explore the reality of digitalization and look at it from different angles, I translate my vision through my objects. The combination of traditional techniques and modern technologies allows me to achieve unobvious results during the design process.
I associate myself with an aesthetic of pure material textured impressive forms, making my objects massive, tactile, and sensory. My works may be characterized by the purity of form, naturalness, and minimalism in colours.
The design method can be described as a practice-led exploration of harmony between form, texture, and natural colour of the material to create sculptural and functional objects hand-made and fired in my studio in Bratislava.
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