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Renqian Yang 杨人倩

Vase No.12 瓶No.12

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Renqian Yang 杨人倩

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Vase No.12 瓶No.12 by Renqian Yang 杨人倩

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Vase No.12 瓶No.12

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Renqian Yang 杨人倩

US$ 300

Overview

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Material: Ceramic

Unique Item

Dimensions: 10.2cm(H) x 15.2cm(Dia) / 6.0"(H)

Diameter: 15.2cm / 6.0"

Note: Actual colours may vary due to photography & computer settings.

Item Description

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Founded by artist Renqian Yang, Ren Studio specializes in designing and creating a wide range of ceramic works. Regardless of the current proliferation of mass-market industrial products, Ren Studio products begin with a humble piece of clay. The artist takes the time to deliberate over every detail, making unique, functional ceramic works that embody time and memories.

Renqian Yang earned her BFA in ceramics from the Sichuan Fine Arts Institute in 2009. In 2014, she graduated with her MFA in Ceramics from Syracuse University. Currently, she lives and works in Oswego, New York as an artist and Assistant Professor at the State University of New York at Oswego.

"I am enjoying being a studio artist. Each piece I create is unique and individual. My artistic philosophy is a give and take of finding answers, asking questions, and the rediscovery of problem solving. I use many methods including throwing on a potter's wheel, hand- building, as well as slip casting. I take my time to trim and sometimes to apply textures. I respond to the form, the marks that I make during the process. Each choice I make is a milestone on the piece’s journey to the conversation it will begin. My hope is that the person who owns the piece in the end will continue the dialogue and complete its story." - Renqian Yang


由艺术家杨人倩创办的Ren Studio 设计并创作了各类独一无二的陶瓷作品。在大批量工业化产品兴盛的今天,固执的从一团平凡无奇的泥开始,在每一个细节停驻并思考,使Ren Studio的手工陶艺作品,凝聚了时间和记忆,留下了很难找到的个性。每一件器皿,就像一张空白的画纸,期望在用的人心中留下一抹色彩,记录下平凡生活的片刻。杨人倩一直尝试打破陶瓷与绘画的界限,并寻找平衡。对她而言,黏土即是画布。在绘画作品中看到的细节流动,生动笔触和色彩变化,也能在Ren Studio的陶瓷中看见,同时因为陶瓷原有的安静属性,而呈现出一场静与动,形与色的冲突和平衡。

杨人倩 2009年在四川美术学院毕业后,赴美就读于雪城大学(Syracuse University)艺术设计学院陶瓷系 ,并在2014年取得艺术硕士。后任教于卡泽诺维亚学院(Cazenovia College), 和圣劳伦斯大学(St. Lawrence University。 目前,她工作和创作于纽约州奥斯威戈,并在纽约州立大学奥斯威戈分校(SUNY Oswego)教授陶瓷。

"我喜欢在工作室里创作,而非重复工厂化的生产。每件作品都是独一无二的。我的艺术实践通过提问,寻找答案来完成。我会用各种各样的方法实践——制陶、手工、灌注成型,再向上绘画。每一件作品都是一个空白的画布,我响应形式、创作过程中的点滴,颜色、笔触都是一个新的创作过程的开始。我希望拥有作品的人也能继续对话,完成每件作品背后的故事。 - 杨人倩

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Artist Profile

Born: 1987

Hometown: Xiangtan, Hunan Province, China

Lives and Works: Canton, New York

Renqian Yang earned her B.F.A. in Ceramics from the Sichuan Fine Arts Institute, Chongqing in 2009 and her M.F.A. in Ceramics from Syracuse University in 2014. Currently, she lives and works in Oswego, New York as an artist and Assistant Professor at the State University of New York at Oswego. Yang’s work has continued to exhibit in the U.S. and China. Her recent exhibitions include: Renqian Yang, Cayuga Museum of History and Art, Auburn, New York (2019); Renqian Yang and Lan Zhaoxing: Between Mountains, Fou Gallery, New York (2019); Renqian Yang: Construct Deconstruction, Taoxichuan Ceramic Art Avenue Art Gallery, Jingdezhen, China (2018); Renqian Yang: Complementary Colors, Fou Gallery, New York (2016); Rare Earth: National Ceramics Exhibition, Cabrillo Gallery, Aptos, California (2016). In January 2017, she had her first solo exhibition in New York at Fou Gallery. She served as a residency artist at Craigardan (2018), Jingdezhen International Studio (2018), and the Watershed Center for the Ceramic Arts (2017).

Yang is interested in the concept of binaries. Her work addresses the unity and the contradiction of dichotomies: restriction and freedom; pessimism and optimism; complexity and simplicity; representation and abstraction; the man-made world and the natural world. At the same time, her work explores how an individual is related to nature, society, and oneself. Yang combines both traditional and nontraditional methods in her practices. While primarily focusing on ceramics, her work also extends to installation, sculpture, drawing, painting, video and functional everyday objects.

杨人倩 2009年在四川美术学院陶瓷专业毕业后,赴美就读于雪城大学(Syracuse University)艺术设计学院陶瓷系 ,并在2014年取得艺术硕士。毕业后,杨曾先后任教于雪城大学,卡泽诺维亚学院(Cazenovia College), 和圣劳伦斯大学(St. Lawrence University )。 目前,她工作和创作于纽约州奥斯威戈,并在纽约州立大学奥斯威戈分校(SUNY Oswego)教授陶瓷。她的作品曾在美国,中国等地展出。近期展览包括:杨人倩个展(卡尤加历史与艺术博物馆,纽约州奥本市,2019);兰昭形与杨人倩:山间(否画廊,纽约,2019);杨人倩:构建解构(陶溪川美术馆,中国景德镇,2018),杨人倩:对比(否画廊,纽约,2016),珍稀泥土—全国陶瓷雕塑展(卡布里略画廊,阿普托斯,加州,2016)。2017年1月她在纽约否画廊举办个展《对比》。她曾在Craigardan,景德镇国际工作室,和Watershed陶瓷艺术中心参加驻地艺术家项目。

杨人倩对事物的二元对立非常感兴趣。她的作品关注对立属性的矛盾和统一,如束缚与自由,复杂与简单,具象和抽象,人造和自然,悲观和乐观。与此同时,她通过作品探讨人与自然、社会、及自我的关系。杨人倩一直积极地运用传统技法和实验材料进行跨界创作。在主要使用粘土进行创作的同时,她还探索了装置,雕塑,纤维,混合材料,绘画,多媒体,以及实用陶瓷等领域,挑战固有规则和传统,不断寻找陶瓷与其它材料的创新结合。

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