J. D. Doria, is an interdisciplinary artist, who works and lives in Tel Aviv and has exhibited his works internationally in Tel Aviv, Rome, Milan, London, Paris and New York among others. His work explores through the transforming dynamics of materiality the questions he deems fundamental in a human becoming, and matures at the intersections between art and technology, and between art and science. His background in cinema allows him to capture unexpected and transitory qualities in his works, which stem out from the act of painting, yet evolve through technology and photography into generative art. Among his exhibited projects, Painting as a multitude, Organic Memory and the Petri Dish Project and Material Cosmologies.

Matter, its dynamic qualities and underestimated ‘imagination’, is the underlying metaphor and actual substance I use while generating my works. Rather than painting I am “growing” images by the agency of materials (colors and mediums). The incorporation of technology (photography) allows me an exposure and investigation at multiple scales and durations within a painting process. So while dynamic ‘material processes’ provide me an unlimited set of brushes, technology operates as my multiple and asynchronous organ of capturing and curation in motion, which is based upon emergence of imagery-streams within matter.