
Robert Sumner
Hometown: Portland
Based in: Portland
Hometown: Portland
Based in: Portland
My work explores the synesthetic, non-verbal communicative power that the visual arts share with the performing arts, especially music.
Music and dance have clear analogs in the visual arts: rhythm, repetition, improvisation, melody and harmony, and even syncopation.
The addition of color, texture, transparency, opacity, and the passing of time physically captured in visual media creates an environment in which each of these elements impacts the others, e.g., the addition of a shade of red makes it clear that additional gestural movement is needed to balance it in the composition.
The combination and interaction of these formal elements can communicate at a pre- and non-discursive level that is simultaneously more fundamental and more expansive than verbal communication. The writings of Henri Bergson among others explore the limitations verbal communication places on our understanding of the human experience, and it is precisely the communication and experience that lies beyond these limitations that I strive to explore.
I am largely self-taught after being forced out of my Bachelor of Fine Arts program during my senior year when the university I was attending discovered I was gay. Returning to school a few years later I completed a Bachelor of Arts in Interdisciplinary Studies/Arts Administration at Old Dominion University, Norfolk, Virginia, USA followed by a Master of Business Administration at the University of California at Davis, USA. After working several years to support my artwork I am creating art full time.
I split my studio time between my garage studio for large paintings, and indoor studio for prints and smaller paintings. Music is a constant companion of mine in either space and helps me get into the right headspace to start to see and create images.
What inspires you?
Music helps me find the right mental place to be able to see and create images. The words of philosophers, theorists and critics inform my thinking in the background. My ultimate objective is to create a visual image that is suggestive, yet open enough to allow the viewer to bring their experience into the viewing dialogue.
Describe your creative process.
My process is iterative and changes course over time. When I begin to see a composition and paint the bones of the design a conversation starts, and with each new element others are adjusted. The image thus become a record of the decisions and journey to the finished piece.
What are 3 words that best describe your work?
Movement, color, depth
Who are some artists that have influenced your work?
Arshile Gorky, Paul Klee, Bryce Marden, Karen Davie, Phillip Guston, Fred Tomaselli, Amy Sillman, Frank Stella, Jean Debuffet
What is the most important tool when creating your work?
A clear mind
What is the best piece of advice you have been given?
Lao-Tzu: Do you have the patience to wait till your mud settles and the water is clear? Can you remain unmoving till the right action arises by itself?
Education
University of California at Davis
United States of America, 2002
Old Dominion University
United States of America, 2000
Awards
Juror's Choice Award, The Circle Foundation
2025
Exhibitions
Visual Music
South Korea, 2025
Shift Work: Queer Artists in Tectonic Times
United States of America, 2025
The Sound of Color
United States of America, 2025
Pacific States Biennial North American Printmaking Exhibition
United States of America, 2024
I Want You to See Me, LGBTQIA2+ Oregonian Artists
United States of America, 2024
Expressions West
United States of America, 2024