Cintra and Frenetic Diptych

Cintra and Frenetic Diptych, 2024 by Alec Franco
Set of 2 paintings
Mixed media (Acrylic and pastel) on black canvas
Overall size: 190 H x 270 W cm.
Individual size: 190 H x 135 W cm.
Mounted on a stretcher
Signed by the artist

The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with expressionist and other surrealist overtones, where the work expands into various formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas , paper, wood and steel) transiting mixed materialities that overlap, crushing the apparent figures against heterogeneous backgrounds.

The work generates a sensation of fluidity, of liquids, of movement. Sensation of being in a celluloid space, inhabited by atoms, particles, that are in constant movement. This creates the idea of ​​a corporeal space within the body. Of microorganisms, microscopic systems. Generating a sensation of the macro and the micro. Macrocosm and microcosm. I wonder: Are we one or are we all? Are we something alone, individual, or are we connected, interrelated? How is it that such a tiny universe in turn reproduces itself in everyone, therefore becoming an immense massive universe? How is the movement from the smaller universe to the larger universe understood?

What gives or maintains that movement?
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The artist's works are based on time and on informal aesthetic principles that he chooses to express himself. It is through the presence of color, combined with an abstraction sometimes with tints. Expressionists and many other surrealists, where the work expands in formats and supports (acrylics, oils, pastels, charcoal, asphalt paint, synthetic enamel, on canvas, paper, wood, and steel) that transit and overlap crushing apparent figures on heterogeneous backgrounds.

The work resists being framed in concepts, it goes beyond the contours and limits of the rational. It is not just a festival of colors, but a mixture and profusion of organic forms with a geometry that is not perceptible.
The work generates a sensation of fluidity, of fluids, of movement. the sensation of being in a cellular space, inhabited by atoms and particles, which are in constant motion. This suggests a body space within the body. Some microorganisms and microscopic systems. It generates a sensation of Macrocosm and microcosm. Where the artist asks: are we one or are we all? Are we something unique, or individual, or are we all interconnected or interdependent? How is it that such a small universe in turn reproduces itself in everyone, thus becoming an immense massive universe? How can I understand the movement from the smallest universe to the largest universe? What makes that happen?