Ludmila en el río en una tarde de verano
US$ 300
Overview
2003
Lithograph, Lithograph Four-colour printing on paper Greisse Guarro 250 grms.
Edition of 10
Dimensions: 38cm (H) x 50cm (W) / 15" (H) x 19.7" (W)
Note: Actual colours may vary due to photography & computer settings
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About the art
Artist statement
Title: Ludmila en el río en una tarde de verano (Ludmila on the river on a summer afternoon) (Codified Paintings series)
Year: 2003 Lithograph Four-colour printing on paper Greisse Guarro 250 grms.
Sheet size 38 x 50 cm. Edition numbered and signed in pencil: 100 copies + 10 artist's proofs + 4 Hc.
This is the artist's proof copy number IV/X with a signed certificate from the artist. Beautiful print in bright colours
CODED PAINTINGS
Taking as a reference the analysis of deconstruction and the supposed unviability of the codes of communication for representation, and more specifically of pictorial language, Imanol Marrodán, using a "heuristic" method and through his "Codified Paintings", intends to deny the historical representational quality of the pictorial method, to make his works independent "objects", finally freed from their representational obligation. It is the "Object Image" that asserts itself by its mere material presence and becomes an autonomous body, an "artefact" that demands a new way of being contemplated.
The ontological reason for these paintings, called "Nuclei of Emotion" or "Coded Paintings", is determined by colour and light, which are the essence of sensory communication and emotional transmission beyond any rational explanation.
These objects are framed within the Zen aesthetic, inspired by the hexagrams of the I Ching or Book of Mutations, and are a reference to the Taoist universe and Eastern thought and culture.
Artist profile
Imanol Marrodan
Born: 1964
Hometown: Bilbao
Based in: Vitoria
Imanol Marrodán. Bilbao 1964, Basque Country.
An interdisciplinary creator and researcher, he carries out, among other activities, critical work through various events related to art and contemporary thought as part of his personal creative project.
The concept of limit, inspired by the idea of the ancient Roman "limes", cited by …
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