#446 The End
US$ 1,500
Overview
2023
Construction Filler, Filler on board
Unique Work
Dimensions: 64cm (H) x 84cm (W) x 5cm (D) / 25.2" (H) x 33.1" (W) x 2" (D)
Note: Actual colours may vary due to photography & computer settings
Shipping
This item ships from Norway
Please note that this item is framed and requires crating for shipment
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About the art
Artist statement
Like all my works, this is about the relationship between language and matter. All semantic activity is based on the possibility of dissecting, of distinguishing one from the other. But where the image as an expression of language is bound to a spatial delimitation, a frame if you will, the text is, to a greater extent, limited temporally. It is dependent on a timeframe, a beginning and an end. You may call it a narrative.
But what's paradoxical about this notion is that it is simultaneously impossible without a continuation. We must presuppose a new narrative that picks up where the previous one ends. The ultimate end, death as the end of time itself, is impossible to fully grasp and comprehend in a cognitive, semantic way. Language is thus limited to what exists physically because the "non-existent", before and after the beginning and end of time, is outside the temporal domain of language. The constant division, where one narrative replaces the other, must continue forever.
This level can be described with psychoanalytic theory as the Imaginary. An absolute semantic register without ground in the physical matter, i.e. the language as existing before it is used. The use of language introduces the cut itself, the division of physical reality, where one is separated from the other, and the temporal division of a before and an after. This does not exist in the matter before language enters. The purely material dimension outside of language is described by psychoanalytic theory as the Real. The Symbolic, where the conscious human subject resides, is thus closest to being described as a TV series or soap opera, forever To be continued...
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Artist profile
Johan Söderström
Born: 1969
Hometown: Stockholm
Based in: Oslo
I am interested in process-based painting and the profound human solitude. While exploring one thing, I sometimes try to formulate something about the other.
My work is made from construction filler in oak frames. I have developed a unique technique, where I insert 6 mm thick layers of grey and white …
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