Ra Ra Rasputin
By Sze Yang Boo
US$ 15,000
Overview
2022
Oil Paint, Oil on linen
Unique Work
Dimensions: 120cm (H) x 150cm (W) x 5cm (D) / 47.2" (H) x 59.1" (W) x 2" (D)
Note: Actual colours may vary due to photography & computer settings
Shipping
This item ships from Singapore
Please note that this item is unframed and will be shipped flat
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About the art
Artist statement
Dancing with the Wolves, which features over 15 oil works completed in the period of 2015-2021. The show spotlights the artist’s series of work which explores the validity of Plato’s notion of an ideal society comprising people in observance of their classes and duties (producers, auxiliaries, and guardians), in contrast with Thomas Hobbes’s view on human nature as selfish and destructive. Darkly comic and brimming with technicolour theatricality, the paintings provoke viewers to contemplate the performative aspect of reality as they navigate daily through the optics that postulate as truth in today’s heightened post-truth digital era.
These works by Boo Sze Yang probe our perception of truth and reality, and project another dimension for contemplating scenes of civil discontent and unrest that have been circulating in the global media in recent years. After studying and re-composing images of protest and punishment, Boo Sze Yang reframes the scenes through dark humour and an exaggerated theatricality, blowing up the uncanny repetition of figures, synchronised dance moves, and poster-like mise-en-scene. Each painting is titled after a well-known song that had been used in certain protest movements around the world, like “Another One Bites the Dust”, “Too Young to Die” and “Don’t Take your Guns to Town”, creating an intertextuality that enriches our imagination of the scenes and emotions beyond the visuals of his canvases.
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Artist profile
Sze Yang Boo
Born: 1965
Hometown: Singapore
Based in: Singapore
Boo’s paintings deal with a broad range of subject matters, from mundane domestic objects to images of car and airplane crash scenes, derelict interiors of cathedrals and unpeopled chambers of shopping malls. Boo treats banal objects, modern architectural interiors and scenes of destruction as metaphors for the human condition, transforming …
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