Ivan Shaw: Capturing Nature’s Beauty in Black and White
ByLiyana SafariImage courtesy of Ivan Shaw.
Ivan Shaw is an Australian photographer with a passion for capturing the raw beauty of nature. His work is characterised by meticulous attention to detail and a commitment to traditional methods, specialising in large-format 8x10 black and white photography.
After studying at the Film and Television Institute in Fremantle, Ivan spent over a decade in London, immersed in the fast-paced world of fashion and advertising. Working alongside renowned fashion photographer Mario Testino.
His project, Infinite Wonder, explores the ancient, old-growth forests of Pemberton through a series of striking large-scale prints. Through his lens, Ivan invites viewers to experience the quiet power of these natural environments, offering a contemplative escape from the modern world.
Scroll down to read all about his remarkable journey to becoming a photographer.
What draws you to working with large format film, and why do you think it remains relevant in today's digital age?
Working with large format film is an intentional choice for me because it demands a level of precision and presence that I find deeply rewarding. In a world where everything is instant, I think there's something refreshing about slowly creating images with care and patience.
Image courtesy of Ivan Shaw.
What are the unique advantages of working with the 8x10 format, and how does it influence your creative process?
The 8x10 format offers unparalleled image quality and detail, which is one of its most significant advantages. The size of the negative allows for an extraordinary level of clarity and tonal richness, capturing even the subtlest textures and nuances of light. This makes it an ideal medium for subjects like landscapes, not so great for fast paced commercial jobs! I really hope that the mindfulness required to create photographs is reflected in the final works.
Do you also use digital cameras for your nature photography, or do you exclusively work with film?
While I primarily work with film, I also use digital cameras as a tool for preparation. They’re invaluable for getting immediate feedback on the power of the lighting and making quick adjustments to lighting or composition. Digital also helps me test lenses to determine the best focal length for a scene before committing to film.
You spent over 10 years in the fashion and advertising world in London. During that time, did you also photograph nature, or was your focus primarily on commercial work?
The majority of my commercial work was studio based, where everything is highly controlled. We were also very lucky to get to travel to some beautiful locations, and I would always find them such a refreshing change.
Image courtesy of Ivan Shaw.
What inspired you to return to Australia in 2021, and how has that decision shaped your photography?
Returning to Australia in 2021 was inspired by a desire to reconnect with home and the landscapes that have always held a deep significance for me. After over a decade in London’s fast-paced fashion and advertising industry, I felt a pull toward a slower, more grounded way of life.
Image courtesy of Ivan Shaw.
Your latest project, Infinite Wonder, takes audiences through the forests of Pemberton. What inspired this series, and what do you hope viewers take away from it?
Infinite Wonder was inspired by the sensation of awe I feel when walking through the old-growth forests. These ancient landscapes, with their powerful presence, compelled me to create this series. Through this body of work, I hope viewers gain a deeper appreciation for nature and feel a sense of connection to these incredible forests. Ultimately I wanted to capture the feeling of calm that hits you when you visit these locations.
Image courtesy of Ivan Shaw.
How long did it take to complete Infinite Wonder, and how did you decide the best times of year to capture these photographs?
I visited the forest 5 times and began testing and planning the project at the beginning of 2024. Deciding when to stop was the hardest part. I feel the forest looks the most lush during Winter and Spring.
How do you approach the challenges of unpredictable weather and lighting while shooting outdoors, especially with large format film?
You really need to embrace the unpredictable weather, as often some of the strongest compositions appear due to change in conditions. For example a shaft of light suddenly appears through a gap in the tree trunk and you need to be able to move fast to capture this. Wind, though challenging due to the vibrations it causes, can also bring a sense of movement and energy. Rain is also tricky, though can make for some magical scenes as the sun reappears. The changing weather conditions are a big part of the magic!
Shop Artworks by Ivan Shaw
The Vista I, II & III by Ivan Shaw. Giclée Print, Archival pigment print on Platine fibre based rag. 150cm (H) x 360cm (W) / 59.1" (H) x 141.7" (W).
The Dive by Ivan Shaw. Giclée Print, Archival pigment print on Platine fibre based rag. 150cm (H) x 120cm (W) / 59.1" (H) x 47.2" (W).
The Rise by Ivan Shaw. Giclée Print, Archival pigment print on Platine fibre based rag. 150cm (H) x 120cm (W) / 59.1" (H) x 47.2" (W).
Ivan Shaw's artworks are now available on The Artling. Interested in purchasing? Click here to learn more.
Stay in Touch with Ivan Shaw
Any views or opinions in the post are solely those of the authors and do not necessarily represent the views of the company or contributors.
