Iqbal Hossain's photographic work is a testament to his unique vision, where nature, villages, cities, people, social issues, and the complexities of our world are reinterpreted through a surrealist lens. Subjects captured within his viewfinder are liberated from their original contexts, transformed into new forms and endowed with profound significance.

His oeuvre, deeply influenced by the abstract arts of Cubism and Surrealism, transcends the boundaries of traditional photography. With remarkable skill, he seamlessly blends seemingly disparate elements – photographs and paintings, nature and the artificial, two-dimensional and three-dimensional, past and future, dreams and reality – into captivating works of art.

While his early career saw him delve into photojournalism, particularly focusing on climate change issues in Bangladesh, this period was not a departure from his artistic pursuits. Instead, it served as a crucible, honing his critical eye, decision-making skills, and providing invaluable experience that now fuels his creative endeavors.

His journey into photography began in 2014, inspired by the works of masters like Saul Leiter, Jean-Eugène Atget, and Aaron Siskind. He further honed his craft through a diploma program at Alliance Française de Dhaka.

In 2020, he achieved significant recognition, receiving the Gold Medal from the Asahi Shimbun Photography Excellence Award. His work has been exhibited extensively in Japan and online, showcasing his talent alongside that of other international photographers. In 2023 and 2024, his works graced the walls of Alliance Française de Dhaka's La Galleria.

Iqbal Hossain is a member of the Federation Internationale l'Art Photographique (FIAP) and the Photographic Society of America (PSA), further solidifying his position within the global photography community.

This revised text aims for a more concise and flowing narrative while retaining the key information about Iqbal Hossain's artistic journey and his unique approach to photography.