New Forrest II.
US$ 5,300
Overview
This artwork was last updated 857 days ago.
2019
C-Print, Archival digital print on dilute
Edition of 3
Dimensions: 74cm (H) x 111cm (W) / 29.1" (H) x 43.7" (W)
Note: Actual colours may vary due to photography & computer settings
Shipping
This item ships from Singapore
Please note that this item is unframed and will be shipped flat
Shipping cost will be calculated upon checkout
About the art
As seen in
Artist statement
Birdwatchers near the reclaimed lands of Singapore mistook this kingfisher for a moulting kingfisher, or an albino kingfisher until conservationists theorized that the kingfishers living in the sand dunes had adapted to life in the sand by turning white as camouflage. This phenomenon emerged as a consequence of land reclamation in Singapore during the 70s. Lighter-bodied Kingfishers were able to blend in with the light-coloured sand and were less likely to be eaten by birds of prey in the reclaimed lands. Because the light-coloured Kingfishers were much more effective at hiding from predators, the frequency of the normal morph rapidly dropped to about 0.01%, a phenomenon known as adaptive melanism.
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Artist profile
Robert Zhao Renhui
Born: 1983
Hometown: Singapore
Based in: Singapore
Singaporean visual artist Robert Zhao Renhui works mainly with photography but often adopts a multidisciplinary approach by presenting images together with documents and objects. Renhui’s work include textual and media analysis, video and photography projects. His work addresses man’s relationship with nature, and related issues of morality and ethics, paying …
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