

Evgeniia Kazarezova
Hometown: Novosibirsk
Based in: Bratislava
Hometown: Novosibirsk
Based in: Bratislava
My name is Evgeniia Kazarezova and I’m a ceramic designer. Started my professional career as an architect and later as an interior designer, I continue to work with space now by placing my objects in it. Mostly I work with clay as with one of the ancient and natural material human worked with. Perception of the way material got through the thousands of years in different cultures all around the globe gives me a dose of verve.
Using traditional craftsmanship methods, I go for contemporary design objects that reflect my vision and feeling of the modern world's actualities.
I'm a child of post-Soviet Russia. So I appreciate soviet postmodernist and brutalist architecture.
I observe relationships of modern human and flora on the city site, making connections between different phenomenons. Through the natural material and oldest craft, I explore the reality of digitalization and look at it from different angles, I translate my vision through my objects. The combination of traditional techniques and modern technologies allows me to achieve unobvious results during the design process.
I associate myself with an aesthetic of pure material textured impressive forms, making my objects massive, tactile, and sensory. My works may be characterized by the purity of form, naturalness, and minimalism in colours.
The design method can be described as a practice-led exploration of harmony between form, texture, and natural colour of the material to create sculptural and functional objects hand-made and fired in my studio in Bratislava.
What inspires you?
I'm a child of post-Soviet Russia. So I appreciate soviet postmodernist and brutalist architecture. I associate myself with an aesthetic of pure material textured impressive forms, making my objects massive, tactile, and sensory.
Describe your creative process.
I respect clay and work like with a partner in the constant dialog. I never make tests giving trust. There cannot be a mistake- all processes and results are right with that material. I always give space to material, not totally controlling it.
What is the most important tool when creating your work?
Clay. This is a reason why I started ceramics.
1 Article
The Artling's Corporate Gift Guide 2020: Art & Design under $100
October 13, 2020
Awards
1st place award in “Botanicals” Art Exhibition 2021
2021
Special recognition, "Patterns" exhibition
2020
Exhibitions
1000vases
France, 2020
Under the sky
Italy, 2020
Bratislava design week
Slovakia, 2020